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Bebop Spoken There

Billy Cobham: "Miles said to us, 'Don't play in between takes,' so of course John [McLaughlin] played in between takes." - (JazzTimes, Nov. 2019).

Archive

Today Friday November 22

Afternoon

Jazz

Sue Ferris Trio - The Merry Monk, 30 Market Place, Bishop Auckland DL14 7NP. 1:00pm. £5.00. Pub adjacent to Bishop Auckland Town Hall.

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Evening.

Mick Shoulder Quintet - Traveller's Rest, West Auckland Road, Darlington DL3 9ER. 8:00pm. (doors 7:30pm). £8.00. Opus 4 Jazz Club.

Tenement Jazz Band - Theatre Hullabaloo, Borough Road, Darlington DL1 1SG. Tel: 01325 405405. 8:00pm. £14.00. Darlington NOJB.

Blues/Soul/Funk etc.

Ishmael Ensemble - Cobalt Studios, Boyd Street, Newcastle NE2 1AP. 8:00pm. £7.47.

Catfish Keith - Old Cinema Launderette, Marshall Terrace, Durham DH1 2HX. 8:30pm. £18.00. + £1.80. bf.

The Odels - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, December 07, 2015

New Century Ragtime Orchestra @ The Black Bull – Dec 6

(Review by Russell/Photos courtesy of Roly.)
In the first of two concerts during December at the Black Bull the New Century Ragtime Orchestra made its Blaydon Jazz Club debut. Any fears that Dave Kerr’s outfit would be too big to fit onto the compact stage were quickly dispelled. NCRO music stands skirted front of stage, musicians cheek by jowl, either side of Steve Doyle’s weather-beaten bass drum. Vocalist Caroline Irwin sat off stage, periodically taking to the floor in front of the band to sing a selection of songs. Master of ceremonies Steve Andrews likewise opted to sit with a pint listening to his band mates, rising to regale the audience with his scholarly – and frequently hilarious – observations of the classic jazz era, its composers, musicians and larger than life characters.
Sweet Jennie Lee and A Ragtime Dance confirmed keys, valves and fingers were in good order and Caroline Irwin likewise confirmed her vocal chords were up to it (lubricated by a glass of Deuchar’s) singing a brace of tunes including Am I Blue? Neville Hartley made his trombone presence known on a number associated with the Fletcher Henderson band – the wonderfully titled What-Cha-Call-‘Em Blues.
A 1903 number (early period for the New Century, some nineteenth century material is in the book) Belle of the Philippines composed by Fred F Stone had Andrews wondering out loud…What did the initial F stand for? Diligent research by Kerr and the boys solved the mystery. It couldn’t be anything other than ‘Flint’! A two-trumpet feature for the bearded Graham Hardy and the clean shaven Alistair Lord – Paddlin’ Madelin’ Home – with the band’s ‘boy’ vocalist Jim McBriarty in the spotlight, met with audience approval.
Twenty-something pianist Ian Wynne took centre-stage (for reasons of on-stage logistics he remained exactly where he was) with a piano solo feature on James P Johnson’s Mule Walk Stomp. The Black Bull crowd loved it. Quite right, too!
Second set highlights were many. A hot take on The Terror (Cliff Jackson and his Crazy Cats circa 1930) upped the ante and Ms Irwin responded with I Can’t Give You Anything But Love, Baby and the arresting Get Out and Get Under the Moon (Graham Hardy with a fine muted contribution). The band’s latest recording – Singing in the Bathtub – was all but certain to get a mention (it did, more than once, yours for a tenner) and Mr McBriarty duly sang the eponymous number. Ellington’s Black Beauty heard the muted Hardy and plungered Hartley. The oddly titled Crazy Quilt exemplified the band’s collective talents – across all sections – in making light of yet another exacting arrangement.
MC Andrews sought to make comparison between a hirsute Graham Hardy and Henry Red Allen. The bearded Hardy doesn’t physically resemble Allen, doesn’t speak with an American accent…Andrews was struggling, the audience laughing. Perhaps best to let a fine trumpet player do the talking, musically speaking (with one verse from vocalist Jim McBriarty), on Patrol Wagon Blues. Mark it down as the highlight of the evening.
The rhythm section – Keith Stephen, Phil Rutherford and Steve Doyle – (and band) sent us on our way with a rabble-rousing take on Limehouse Blues. Dave Kerr’s New Century Ragtime Orchestra is an amazing project, a labour of love for those involved. On leaving the Black Bull someone said the band, without a guest star, is the way to hear the band. A moot point, but well made. What made this gig work so well was the against-the-odds set up of a larger ensemble performing in a small space in close proximity to the audience. A return visit would be most welcome.
Blaydon Jazz Club’s Christmas party night – Sunday Dec 20th – is an annual occasion in the dairy of all Black Bull regulars. This year’s concert will feature the BB Trio – Jeremy McMurray, Roly Veitch and Neil Harland with special guest James Birkett. The music, of course, will be first rate and with an interval buffet to tuck into there couldn’t be a better way to end another year of great jazz at the Black Bull. It’s an eight o’clock start and feel free to bring a small culinary contribution to the buffet. 
Photos.             
Russell.
Steve Andrews (MC, tenor saxophone & clarinet),  Jim McBriarty (alto saxophone, clarinet & vocals), Alan Marshall (tenor & alto saxophones, clarinet), Gavin Lee (tenor saxophone & clarinet), Graham Hardy (trumpet), Alistair Lord (trumpet), Neville Hartley (trombone), Ed Cross (violin), Keith Stephen (guitar & banjo), Ian Wynne (piano), Phil Rutherford (sousaphone), Steve Doyle (drums) & Caroline Irwin (vocals)

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance