Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18947 (and counting) posts since we started blogging 18 years ago. 811 of them this year alone and, so far this month (Sept. 28.) 90.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

September.

Wed 30: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 30: Darlington Big Band @ The Traveller's Rest, Cockerton, Darlington. 7:00pm. Free. For one week only the rehearsal night will be at the Traveller's Rest (open to the public).
Wed 30: Tenderly: The Life & Times of Nat ‘King’ Cole @ The Hearth, Horsley. 7:30pm. £15.00., £12.00. (Early Bird advance ticket), £10.00. Off-Broadway production feat. Duane Forrest.
Wed 30: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 30: New Ways of Moving in the Counterworlds + Juliana Day & Manon McCoy + Helen Anahita Wilson @ The Glasshouse, Gateshead. 8:00pm. A BBC Introducing-Newcastle Festival of Jazz & Improvised Music event.

October

Thu 01: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 01: Rivkala @ King’s Hall, Newcastle University. 1:15pm. Free.
Thu 01: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 01: Hot Club de Heaton @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 01: The Scenic Route @ Dorman’s Club, Middlesbrough. 8:30pm. Free.

Fri 02: Alison Gill + Markrokosmos @ The Lit & Phil, Newcastle. 1:00pm. Newcastle Festival of Jazz & Improvised Music (NFOJAIM).
Fri 02: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 02: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 02: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 02: Gilby & Hunter + Andy Champion @ The Lit & Phil, Newcastle. 6:00pm. NFOJAIM.
Fri 02: Abbie Finn Quartet @ Saltburn Community Hall. 7:30pm. The Abbie Finn Trio augmented by Dean Stockdale (piano).
Fri 02: Alexia Gardner Trio @ Warkworth Memorial Hall. 7:30pm. £15.00.
Fri 02: Zoe Rahman Trio @ The Lit & Phil, Newcastle. 8:00pm. NFOJAIM. SOLD OUT!

Sat 03: New Orleans Ragtime Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club. Gavin Lee & co.
Sat 03: Anemone Quartet + Jeepe Zeeburg @ The Lit & Phil, Newcastle. 1:00pm. NFOJAIM.
Sat 03: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. Caravan. Enrol at: learning@jazz.coop.
Sat 03: Struggle Buggy @ The Peacock, Sunderland. 6:00pm. Free. Excellent blues band.
Sat 03: Bright Street Big Band @ Washington Arts Centre. 6:30pm. £12.50 (inc. bf). Two sets: 7:30-8:15pm & 8:45-9:30pm. ‘Swing Band Dance Night’.
Sat 03: Olie Brice Quartet + Alexander Hawkins + Harper Trio @ The Lit & Phil, Newcastle. 7:00pm. NFOJAIM.
Sat 03: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 04: Tees Bay Swing Band @ Heugh Battery, Hartlepool. 11:00am-12 noon & 1:00-2:00pm.
Sun 04: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 04: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Quintet w. special guest Bill Watson (trumpet).
Sun 04: Sax Choir w. Rachel Musson @ The Globe, Newcastle. 2:00pm. Free.
Sun 04: Rivkala + Ceitidh Mac + Thatcher & Knowles @ The Globe, Newcastle. 2:30pm. A NFOJAIM event.
Sun 04: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free. RESCHEDULED from September 27.
Sun 04: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 04: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm. £3.00.

Mon 05: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Sunday, December 13, 2015

Euan Burton Quartet @ The Globe - Dec. 12

Euan Burton (bass); Adam Jackson (alto); Tom Gibbs (piano); Alyn Cosker (dms).
(Review by Minnie Fraser/Photo courtesy of Steve Horowitz/Gavin).
The band arrived in good time despite the weather - apparently there was no snow in Glasgow. This was the last date of their UK tour which had seen them travel the length of the country from Aberdeen to Poole in Dorset. Sadly, a number of those who had been planning to attend were prevented by a heavy fall of snow. However, the audience who did make it were very appreciative.
Euan Burton, who played his amazing fold away double bass brilliantly, has assembled an excellent quartet. Tom Gibbs, seen recently with Brian Molley at the Globe, exemplary on piano, Adam Jackson, sublime on alto sax and Alyn Cosker provided precocious percussion at the kit.
Two sets of original music made all the more enjoyable by Euan's explanations of their meaning or what they were meant to evoke.

The Implication, a name greatly simplified after a reviewer had said the tune had the worst title they had ever heard of! Well, we don't have mean reviewers like that here, especially as we would like to welcome these guys back again sometime!  Who cares about the name anyway when the music is so amazing!  Cosker's drumming was incredibly skilful - using sticks, brushes, mallets and occasionally bare hands - producing a great variety of sound ranging from driving rhythms that dominated down to gentle stroking of snare and closed hi-hat in the quieter moments.
Jackson was exceptional on alto sax, displaying an incredible range of musical gymnastics, from smooth tuneful and gentle, to soaring runs and occasional staccato. Gibbs gave wonderful accompaniment on the piano, but his solos were well worth waiting for. Burton's excellent double bass underpinned all the music, but he really came into his own when soloing although he wasn't greedy in that respect despite having composer's prerogative.
The variety in Burton's compositions gave us a very entertaining evening. Six was a good example of variety in a single piece (this tune is called "six" because it is the sixth track on Burton's album "Occurrences").  This was introduced as a piece about being dumped and veering from angry hate to sad heartbreak. The moods in the piece were clearly identifiable in loud and dissonant anger resolving into tuneful contemplative quietness with mournful sax and piano accompanied by gentle bass and very quiet brushing on the drums.
Earlier in the set we were treated to Any Given Sunday a title inspired by the amount of good live music available on a Sunday in Glasgow. Burton then admitted that it was only the title that was this inspired and the music had nothing to do with that!  We soon forgave him when he said he would rename it Any Given Saturday and dedicated it to Jazz Coop at The Globe!
The Quartet finished the evening with South to evoke a place with a warm climate. This piece started off with a lovely bass and drums duet with Cosker making the most of his toms and cross-sticks. The piano and sax joined in tunefully with smooth melodies interspersed with staccato play/pause. This built up to a crescendo leading to an excellent drum solo using the whole kit where Cosker's sticks were a blur! Well-deserved applause finished the evening. CDs were in sale at the end and Burton said "Christmas is coming, what better present is there than a cd of progressive jazz by someone you have never heard of?"  
Well you have heard of him now!
Minnie.

2 comments :

Lance said...

Thanks Minnie, as one one of the 'weather wimps' please explain the 'fold away double bass.'

Minnie said...

I have never seen one before - he loosened the strings, slid something and disconnected the neck which was then stowed inside the body through a section of the back which lifts out. The leg at the bottom also went inside. He said it was the only way they could get everything into one car - which is important for all their travelling!

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