Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

19,012 (and counting) posts since we started blogging 18 years ago. 876 of them this year alone and, so far this month (Oct. 16) 55.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Sat 17: SunOrbitUs @ Culture House, Sunderland. 11:00am - 5:00pm. Closing event in a year-long piece of music. 11:00am-1:00pm Improvisation workshop w. Faye MacCalman; 2:00-5:00pm Collective Improvised Performance by Sunderland residents. SOLD OUT!
Sat 17: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 17: Martin Taylor @ Bowes Museum, Barnard Castle. 7:30pm. £48.72; £43.37. Solo guitar. SOLD OUT!

Sun 18: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 18: Creakin’ Bones & the Sunday Dinners @ Tyne Bar, Newcastle. 4:00pm. Free. Jump jive.
Sun 18: Guisborough Big Band @ Redcar Rugby Club. 5:00-8:00pm. ‘Charity Big Band Birthday Bash’ in aid of Parkinson’s UK & Young Sounds UK. Free (donations on the door).
Sun 18: Martin Taylor @ The Glasshouse, Gateshead. 8:00pm. £23.30. Solo guitar.
Sun 18: Ben Crosland Quartet with Steve Waterman @ The Globe, Newcastle. 8:00pm.

Mon 19: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 19: Sue Ferris Quintet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 20: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Pete Tanton (trumpet, flugelhorn).
Tue 20: Graham Hardy’s Eclectic Quartet @ Queen’s Head, Rothbury. 7:30pm. £11.00. Tickets from Tully’s, Rothbury. Coquetdale Jazz. Note change of venue.
Tue 20: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, Scotty Adair.

Wed 21: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 21: FILM: Blue Moon @ Washington Arts Centre. 1:00pm. £4.50 (inc. bf). Biopic of lyricist Lorenz Hart.
Wed 21: De'Sean Jones’ Urban Art Orchestra @ The Cluny, Newcastle. 7:30pm (doors). £10.00.; £5.00. student, unwaged; free to Mercury Awards ticket holders. De'Sean Jones (tenor sax, EWI); Tjoe Man Cheung (guitar); Mikele Montolli (double bass) + others TBA.
Wed 21: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 21: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 21: Roby Glod-Steve Sewell Quartet @ Central Bar, Gateshead. 8:00pm.

Thu 22: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 22: Mercury Prize @ Utility Arena Newcastle. 8:00pm. £60.25.; £48.75. Line-up inc. Knats.
Thu 22: Dean Stockdale Trio @ Bandstand!, Exhibition Park, Newcastle. 7:30pm. Tickets: £10.20 (inc. bf) via Instagram. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Thu 22: Olly Styles Trio @ The Globe, Newcastle. 8:00pm. £7.75.

Fri 23: Sara Oschlag w. Arnie Somogyi Trio @ The Lit & Phil. 1:00pm. Sara Oschlag (vocals); Ben Lawrence (piano); Arnie Somogyi (double bass); John Hirst (drums). SOLD OUT!
Fri 23: Emma Fisk’s Hot Club du Nord @ Gala Theatre, Durham. 1:00pm. Durham Jazz Festival. SOLD OUT!
Fri 23: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 23: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 23: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 23: Maja Bugge & Dave Evans @ Claypath Deli, Durham. 7:00pm. Durham Jazz Festival.
Fri 23: Knats @ King Street Social Club, North Shields. 7:00pm. £17.00., £14.70., £11.30., £5.50. SOLD OUT!
Fri 23: King Bees @ Billy Bootleggers, Newcastle. 7:00pm. Free. Superb Chicago blues band.
Fri 23: Sara Oschlag & Arnie Somogyi w. Ben Lawrence @ Ship Isis, Sunderland. 7:30pm. Sara Oschlag (vocals); Ben Lawrence (keyboards); Arnie Somogyi (double bass).
Fri 23: Ronnie Scott’s Soho Songbook @ Redhills, Durham. 8:00pm. James Pearson (piano); Sam Burgess (double bass); Chris Higginbottom (drums); Alex Garnett (sax); Polly Gibbons (vocals). Durham Jazz Festival. SOLD OUT!
Fri 23: SwanNek + Jacob Egglestone @ Fabio’s Bar, Durham. 9:00pm. Durham Jazz Festival.

Friday, November 20, 2015

Jo Lawry and Will Vinson @ Sage Gateshead.

Jo Lawry (vcl/gtr/pno); Will Vinson (pno/alto).
(Review by Lance),
The game was afoot tonight, ne'er a square inch of space at any of the bars! The main attraction was Ralph McTell in Hall One. Across the great divide there was also a quorum for Mercury Rev in Hall Two. Sandwiched in between, in the Northern Rock Foundation Hall, was Jo Lawry and Will Vinson.
This was the one for those who'd made the near impossible choice of choosing between the Lit and Phil for Paul Edis' solo CD launch, the Stronger Jazz Voices gig at the Globe or this remarkable duo.
You want stronger jazz voices? You got it tonight with Jo Lawry although, it has to be said, the jazz content wasn't high. But, when it was, move over you gals on the ladder, you've still got a long way to go,
I calculated maybe a 100 bums on seats which, given the alternatives on offer in and away from Sage Gateshead, wasn't bad going. 
Many present were drawn to Ms Lawry because of her association with Sting's Shipyard extravaganza and it was easy to see why. A voice that appealed across the genres. In the main it was Joni Mitchell, Carole King, Janis Ian inspired and Jo's compositions more than held their own with her illustrious contemporaries - thank god she doesn't play cricket - she's from down under and the Ashes would be gone forever!
The jazzy numbers were Just You, Just Me, Vinson vacating the piano stool to blow some great alto. and Lawry sounding - not unlike Anita without the hat, And the jazz vocalese solo of the year - Hank Mobley's solo on Remember. This was top of the game stuff. The solo note for note and the words totally relevant to the song. Irving Berlin was surely having an appreciative chuckle as he looked down on this amazing performance. I think Annie Ross would like it too.
Kathryn Tickell, sitting in front of me, certainly did.
The less jazzier numbers were, nevertheless, just as valuable because of the strong lyrics. Several related to Vinson, her husband of just over a year. Taking Pictures, a swipe at social media and a complaint that she couldn't see the smile on the Mona Lisa because of tourists taking photos and losing a lover in the process. 
There was more, so much more, but I was too engrossed to make many notes.
Folk Meets Jazz? You got it here tonight!
So, Jo, maybe one day, an out and out jazz gig?
Sooper dooper!
Photos.
Lance.
PS: 221 to go to the 2 million page views - and only one million of them were mine! (joke!)

4 comments :

Lance said...

Here's to the next million!

JERRY said...

"discerning fans" ? Is that comment dismissive of local talent, or simply badly worded?

Lance said...

Not dismissive I think I can say that I have supported local talent, and Paul Edis in particular, whenever possible, My meaning was to convey the alternatives on offer that evening with the 'discerning fans' referring to those who attended the Lit and Phil, the Globe as well as the NRFH. Apologies if you found it confusing, I'll try and rephrase it.

JERRY said...

Thanks for that. I had hoped that I had misconstrued your words which seemed out of character in a blog which does more than its share to counter the "endangered" status of jazz in the region.

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