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Bebop Spoken There

Ethan Iverson: "I asked Bertha [Hope] if she ever used the word "contrafact" to describe the process of writing new tunes over old changes, and she replied, "Of course not. The only people who used that word went to a university to learn about jazz."" - (Jazz Times March 2020).

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COFID- 19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Thursday, February 27, 2014

CD Review: Matt Newton Trio - Within Reach

Matt Newton (pno); Dan Fortin (bs); Ethan Ardelli (dms) + Felicity Williams (vcl); Harley Card (gtr).
Long gone are the days of the traditional trio where the piano was the predominant instrument and bass and drums merely supportive players. And let's not knock it - the trios of, for example, Oscar Peterson, Bud Powell, Teddy Wilson, Erroll Garner and others laid down some of the finest examples of jazz piano the world has known. However, there were others arriving on the scene looking to advance and develop the trio format, allowing more freedom to the bassists and drummers. EST and Brad Meldhau were two at the forefront of this keyboard revolution - a revolution carried forward by the Canadian trio of Matt Newton.
Within Reach, their second CD, comprises seven originals by Newton and one by bassist Fortin. Various moods are encompassed from the funky to the romantic. Ardelli and Fortin, not content to be mere timekeepers, add their own lines - three different routes to the one destination. It works well particularly in the delicate Building the Ship. The addition of Williams' wordless vocals and Card's chords to Our Own World create an ethereal floating space effect.
This is a disc for the thinkers rather than the foot-tappers. One to listen to and absorb the harmonies, wallow in the overall richness of sound.
If you caught the trio last week at Ottawa, Montreal or Toronto you've probably got the disc already. If not then now's the time.
Lance.

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