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Bebop Spoken There

Charles McPherson: “Jazz is best heard in intimate places”. (DownBeat, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16611 (and counting) posts since we started blogging 16 years ago. 1504 of them this year alone and, so far, 50 this month (July 23).

From This Moment On ...

July

Thu 25: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Garry Hadfield (keys); Noel Dennis (tpt); Richie Emmerson (tenor sax); Adrian Beadnell (bass).
Thu 25: Milne-Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.

Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: Bailiwick + Sleep Suppressor + Christie/Chan @ The Globe, Newcastle. 7:30pm (doors 6:30pm). ‘Experimental evening of jazz, punk and jazz-punk’.
Fri 26: Nomade Swing Trio @ Repas7 by Night, Berwick. 7:30pm. Free.
Fri 26: Stuart Turner @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Fri 26: Milne-Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.
Fri 26: Bold Big Band @ Old Coal Yard, Byker, Newcastle. 9:30pm. A Newcastle Fringe Festival event.

Sat 27: BBC Proms: BBC Introducing stage @ The Glasshouse, Gateshead. 12 noon. Free. Line-up inc. Nu Groove (2:00pm); Abbie Finn Trio (2:50pm); Dilutey Juice (3:50pm); SwanNek (5:00pm); Rivkala (6:00pm).
Sat 27: Nomade Swing Trio @ Billy Bootlegger’s, Ouseburn, Newcastle. 2:00pm. Free.
Sat 27: Mississippi Dreamboats @ Prohibition Bar, Newcastle. 8:00pm.
Sat 27: Milne-Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.
Sat 27: Theon Cross + Knats @ The Glasshouse, Gateshead. 10:00pm. £22.00. BBC Proms: BBC Introducing Stage (Sage Two). A late night gig.

Sun 28: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 28: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 28: Miss Jean & the Ragtime Rewind Swing Band @ Fonteyn Ballroom, Dunelm House (Durham Students’ Union), Durham. 2:00pm. £9.00. & £6.00. A Durham Fringe Festival event.
Sun 28: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 28: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 28: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 28: Nomade Swing Trio @ Red Lion, Alnmouth. 4:00pm. Free.
Sun 28: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 28: Jeffrey Hewer Collective @ The Globe, Newcastle. 8:00pm.
Sun 28: Milne Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.

Mon 29: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 30: ???

Wed 31: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 31: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 31: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thursday, February 13, 2014

Jeux de Mots! Djangologie @ Bishop Auckland Town Hall. Wednesday February 12.

Mick Shoulder (bass), Emma Fisk (violin), Giles Strong  (guitar) and James Birkett (guitar).
(Review photos by Jerry E.)
It began inauspiciously: had we encountered three witches and a cauldron between car-park and Town Hall, I’d not have been surprised! Even inside, the wind howled and thrummed in the rafters and the curtains behind the stage wafted ominously!
It was a good turn-out though and from the off the audience, having unwrapped more layers than I’ve seen since returning from a visit to Estonia, was rapt – “too rapt” during Dinah, according to Mick! He urged applause and, solo by solo, they “un-rapt” to the extent that he seemed almost to “tut” after one unseemly bout of premature Mick-adulation before he’d finished his solo! “There’s no pleasing him,” said Emma.
But we were pleased by Douce Ambience in which Giles “did something contrapuntal” (it’s legal in Bishop!) and by Feuille d’Automne and Nuages. During the quiet, melancholic coda to this last, the wind made its presence felt as “fifth member” of the band: for the most part, fortunately, the strumming guitars and tapping feet managed to drown it out. Music conquers all?

When introducing the players Mick clarified his rhyming references to Emma as the “ship’s porcupine,” which explanation I will not go into here. I did notice, however, that by the second-half intros she was simply “Miss Emma Fisk”. Simply brilliant on her solos, if you ask me, as indeed were they all at various points in the gig.
Many of the tunes were familiar to me: Hun o Pani Naschella; Songe d’Automne; Artillerie Lourde; Minor Swing and the breakneck Stompin’ at Decca. Later there followed: Sheikh of Araby; Veish a No Drom; Mira Prau (?) and Les Yeux Noirs. As well as these old friends, there were at least two which were entirely new to me: Cigano Bolero and Blues for D.R., both Mick originals and both very welcome additions to what is already a great repertoire. Cigano (= gypsy in Portuguese) Bolero had Giles Strong taking the lead while James Birkett strummed a soft Latin rhythm and Emma Fisk’s violin was softly lyrical. A beautiful tune! Blues for D.R. had a slow opening such as Django might have produced after a sabbatical in the Delta before going up-tempo in another wind-cheating blast.
And, through the soothing encore, Dans mon Endroit Tranquil, the wind was still ironically vocal but we scarcely noticed, rapt still (O.E.D. - 1]completely fascinated 2] filled with an intense and pleasurable emotion).
My friends, guitar-enthusiasts both, bought CD’s before they left – with only a few hints from Mick and the “Big Lad” on the door! It really was that good.
Jerry

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