Paul Edis
(piano) and Graham Hardy (trumpet and flugelhorn).
(Review/Photos
by Jerry E.)
Two is an odd
number at most jazz gigs but, as was flagged up on Bebop and elsewhere, there
are precedents such as Louis and Earl. Anyway, on Valentine’s, I suppose, a
trio would be a crowd! And there were some appropriate song-choices for the
day: I Loves You Porgy and La Vie en Rose for example. The Gershwin
is even more romantic as introduced by one bandleader: ”written by George
Gershwin and his lovely wife, Ira”! There was also My Valentine (Funny) which
for me WAS an odd number not least because I never found the remembered melody,
even in the middle!A counter-note was sounded by You Don’t Know What Love Is and an Edis/Hardy original called You Talkin’ to Me? These titles sounded, respectively, like the precursors of a domestic and a saloon-bar brawl! The set-list was completed by some more neutral titles: Ellington’s Black and Tan Fantasy; Bernard Herrmann’s Theme from Taxi-driver; Bach’s Two Part Invention (Number 4) and Miles Davis’ Sipping at Bells.
Graham played
about 50/50 trumpet/flugel and added a variety of effects by deploying an array
of plungers and mutes including, on La
Vie en Rose, a “Mel-O-Wah” mute which I don’t think I’ve seen before. It
was perfect for the tune!
Paul, too,
played in a range of styles from classical to (his word, not mine) “schmaltzy”
and also surprised me on You Don’t Know
What Love Is by ceremonially removing his jacket as if to perform a
conjuring trick, dismantling bits of piano and then playing with one hand on
the keyboard and the other INSIDE the piano, which I am positive I have
not seen before! I have dubbed the resultant sound “Edwardian Funk” – a bit
like playing keys and bass simultaneously! I’d be grateful to anyone who could
fill me in on the correct terminology. For a one-hour concert the tunes chosen
were incredibly varied.
There was a good
audience (40+) and they seemed to enjoy it all judging by the applause which
built as the set unfolded.
My personal
favourites today were the last three – Bach, Davis and Piaf. Odd bedfellows, I know,
but all astonishing, delightful and oh, so well played!
This was the first of six lunchtime concerts at this
venue: next up is The Ruth Lambert Trio on March 14.
Jerry.
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