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Bebop Spoken There

Jackie Paris: "A singer's got to be able to tell a story. Frank Sinatra and Nat Cole are best at that; Mel Tormé too. I like to take a lyric that means something and sing it right to the person it was meant for." - (DownBeat October 11, 1962).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Tuesday September 17

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm - 3:00pm. Free.

Evening

Jazz

Acoustic Infusion with the Mighty Horns - Forum Music Centre, Borough Road, Darlington DL1 1SG. Tel: 01325 363135. 7:30pm (doors 7:00pm). £5.00. Rick Laughlin & co.

Strictly Smokin’ Sessions - Black Swan Bar, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 222 9882. 8:00pm. £8.00. & £6.00.

River City Jazzmen - Block & Tackle, Blackthorn Way, Ashington NE63 8NW. Tel: 01670 819845. 8:00pm. £4.00. Guest: Don Armstrong (reeds). Note earlier start.

Blues

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, February 08, 2014

CD Review: Jason Anick - Tipping Point.

Jason Anick (vln/man); Greg Loughman/Adam Cote (bs); Mike Connors (dms); Jason Yeader/Matt de Champlain (pno); Clay Lyons (alt); Kris Jensen (ten); Lee Dynes (gtr).
Isn't it just like the thing? You wait for ages and three come along at once!
No, for once I'm not talking about the number 27 bus but jazz violinists. I've extolled the violin virtues of Emma Fisk and rated Tim Kliphuis' tribute CD to Stephane Grappelli, then, lo and behold, this one lands in the passage!
Emma and Tim are firmly rooted in the swing era and nobody does it better. Anick, by contrast, is a more contemporary player. Although he throws in Minor Swing, his roots lie in post bop and beyond. His approach is probably nearer Luc-Ponty's and, whilst the Hot Club classic track is ok, I'm sure the other two have a better feel for it. Having said that, ignoring previous versions and judging this on its own merits, it is still an enjoyable track with solos from de Champlain and Cote complementing the leader.
Anick scores via his material which, apart from Minor Swing and that most sumptuous ballad - My One and Only Love (ask one of our correspondents about that tune!) which is exquisite - the album includes tracks by Mobley, Silver and Ornette which, although  saxophone related, are canon fodder for Anick's facile technique..He soars, he floats, he flies; the tipping point is past! And, as if that wasn't enough, he's a pretty nifty mandolin player too!
Jason Anick - Tipping Point. by Magic Fiddle Music is due for release on February 18.
More info.
Lance.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance