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Bebop Spoken There

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13,107 (and counting) posts since we started blogging 13 years ago. 526 of them this year alone and, so far, 81 this month (April 16).

Bar Manager Required

The Jazz Co-op are looking for an experienced bar manager who can be available to start when The Globe reopens in May.

Preference will be given to a suitably qualified person who lives relatively near to The Globe, 11 Railway St., Newcastle NE4 7AD.

Interested parties please follow this link.

Coming soon ...

April 29: Vieux Carré Jazzmen are back at The Holystone.

May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 2: Vieux Carré Jazzmen are back at Cullercoats Crescent Club.
June 7: Jazz in the Afternoon are back at Cullercoats Crescent Club.

Friday, February 21, 2014

CD Review: Pat Metheny Unity Group – Kin (<->)

Pat Metheny (electric & acoustic guitars, guitar synth, electronics, orchestrionics, synths); Chris Potter  (tenor sax, bass clarinet, soprano sax, clarinet, alto flute, bass flute); Antonio Sanchez (drums and cajon); Ben Williams (acoustic and electric bass); Giulio Carmassi ( piano, trumpet, trombone, french horn, cello, vibes, clarinet, flute, recorder, alto sax, wurlitzer, whistling and vocals).
(Review by Steve H.)
This album is classic Pat Metheny for those who are familiar with his work and for those who are not this is a great place to start. The opening track on the album On Day One  is an extended rip roaring ensemble fusion piece with hints of Steve Reich style passages utilizing a variety of electronic wizardry, hand claps and anything else the band can get their hands on. Midway through the track there is a pyrotechnic saxophone solo from Chris Potter and the finale ends with some atmospheric vocals.
Rise Up begins with a Latin feel acoustic guitar solo and soon livens up with some high energy playing. Another Metheny solo, this time on electric guitar, leads us into a blast by Chris Potter before we end once more on a vocal led exit. After these wild opening tracks we are brought down to earth again by the almost classical piece Adagia. Sign of the Season is a fairly gentle bass led number. The title track Kin (ß à)  showcases  Metheny’s haunting guitar style, I am not sure what the left and right arrows stand for possibly the midpoint of the album? A beautiful ballad Born follows which is simply delicious. We Go On has a very catchy almost easy listening melody. Finally Kqu another eloquent ballad completes this thoroughly enjoyable album.
Steve H.

1 comment :

Bradley Johnston (on F/b) said...

Love that album!

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