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Bebop Spoken There

Jackie Paris: "A singer's got to be able to tell a story. Frank Sinatra and Nat Cole are best at that; Mel Tormé too. I like to take a lyric that means something and sing it right to the person it was meant for." - (DownBeat October 11, 1962).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Saturday September 14

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Tees Valley Jazzmen - The Merry Monk, 30 Market Place, Bishop Auckland DL14 7NP. 1:00pm. £2.00. Pub adjacent to Bishop Auckland Town Hall.

Evening

Paper Moon Trio - Prohibition Bar, Pink Lane, Newcastle NE1 5DW. 8:00pm. Free (donations).

Blues/Funk/Soul

Lewis Hamilton Band - Cluny, Lime Street, Newcastle NE1 2PQ. Tel: 0191 230 4474. 8:00pm. £5.00. (adv). Blues.

Mitch Laddie Band - Brandling Villa, Haddricks Mill Road, South Gosforth, Newcastle NE3 1QL. Tel: 0191 284 0490. 8:30pm. Free. Blues.

The Panthers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, February 21, 2014

CD Review: Pat Metheny Unity Group – Kin (<->)

Pat Metheny (electric & acoustic guitars, guitar synth, electronics, orchestrionics, synths); Chris Potter  (tenor sax, bass clarinet, soprano sax, clarinet, alto flute, bass flute); Antonio Sanchez (drums and cajon); Ben Williams (acoustic and electric bass); Giulio Carmassi ( piano, trumpet, trombone, french horn, cello, vibes, clarinet, flute, recorder, alto sax, wurlitzer, whistling and vocals).
(Review by Steve H.)
This album is classic Pat Metheny for those who are familiar with his work and for those who are not this is a great place to start. The opening track on the album On Day One  is an extended rip roaring ensemble fusion piece with hints of Steve Reich style passages utilizing a variety of electronic wizardry, hand claps and anything else the band can get their hands on. Midway through the track there is a pyrotechnic saxophone solo from Chris Potter and the finale ends with some atmospheric vocals.
Rise Up begins with a Latin feel acoustic guitar solo and soon livens up with some high energy playing. Another Metheny solo, this time on electric guitar, leads us into a blast by Chris Potter before we end once more on a vocal led exit. After these wild opening tracks we are brought down to earth again by the almost classical piece Adagia. Sign of the Season is a fairly gentle bass led number. The title track Kin (ß à)  showcases  Metheny’s haunting guitar style, I am not sure what the left and right arrows stand for possibly the midpoint of the album? A beautiful ballad Born follows which is simply delicious. We Go On has a very catchy almost easy listening melody. Finally Kqu another eloquent ballad completes this thoroughly enjoyable album.
Steve H.

1 comment :

Bradley Johnston (on F/b) said...

Love that album!

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance