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Bebop Spoken There

George "Big Nick" Nicholas: "This band [George Adams-Don Pullen Quartet] is a bitch on roller skates, baby. They'll run you over if you ain't ready" (JazzTimes April, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14250 (and counting) posts since we started blogging 14 years ago. 469 of them this year alone and, so far, 69 this month (May 19).

From This Moment On ...

May.

Mon 23: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 25: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 25: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 25: Four @ The Exchange, North Shields. 7:00pm.
Wed 25: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 26: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 26: Deep Pope + Garner & Pope @ Cobalt Studios, Newcastle. 7:00pm. £7.00.
Thu 26: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 26: Knats @ Hoochie Coochie, Newcastle. 8:00pm.
Thu 26: Jeremy McMurray & the Pocket Orchestra @ Arc, Stockton. 8:00pm.
Thu 26: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 26: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 27: Alice Grace Quartet @ The Gala, Durham. 1:00pm.
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 27: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 27: Fergus McCreadie Trio @ The Witham, Barnard Castle. 7:30pm.

Sat 28: Whitley Bay Carnival: Northern Monkey Brass Band (1:00-1:45pm & 4:00-4:45pm); Baghdaddies (2:00-2:45pm & 5:00-5:45pm) @ Spanish City Plaza Arena, Whitley Bay. Northern Monkey Brass Band (2:30-2:45pm) @ Rainbow Corner (Marine Ave.), Whitley Bay.
Sat 28: Jack Logan & the Swing Section @ Prohibition Bar, Newcastle. 8:00pm.

Sun 29 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 29: Musicians Unlimited @ Hartlepool United Supporters’ Club, Hartlepool. 1:00pm.
Sun 29: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 29: Groovetrain @ Tyne Bar, Newcastle. 4:00pm. Free.
Sun 29: Zoë Gilby Quartet @ Allendale Village Hall, Northumberland. 7:30pm.
Sun 29: Two of a Mind: Sue Ferris-Steve Summers Quartet @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.
Sun 29: Cedric Burnside @ Cluny, Newcastle. Superb Mississippi hill country blues!

Mon 30: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 31: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Stu Collingwood, Paul Grainger, Rob Walker.

Saturday, February 01, 2014

CD Review: Arild Andersen - Mira

Arild Andersen (bs); Tommy Smith (ten/fl); Paola Vinaccia (dms).
(Review by Steve H.)
This album has now become infamous as this was the last Jazz CD to be reviewed by The Scotsman much to Tommy Smith’s chagrin  Led by Norwegian Double Bass player Arild Anderson together with Scottish tenor player Tommy Smith and Italian born drummer but Norwegian resident Paola Vinaccia this trio come together for their second recorded collaboration in 6 years.  
The album starts with a brooding introspective piece Bygone which features a long bass solo by Anderson. Let bygone be bygones I say, as the next tune Blussy is almost funky and features a  rousing solo by Smith. This leads to the only cover on the album Burt Bacharach’s Alfie which is very sensitively and lyrically played by Smith’s saxophone   accompanied expertly by the other 2 band members. Rossetti  is a surprisingly lively number and the trio seem to really hit their stride. Reperate sees Anderson create a haunting atmosphere with the use of electronics. Raijin is a duet between drummer and Smith who plays the Shakuhachi - a Japanese style flute. Le Saleya has an almost Coltrane like feel, there is a certain poignant reflective quality about it. A brief interlude then comes in the way of another evocative shakuhachi solo Kangiten.  The title track Mira is a vehicle for Andersen to really  show his prowess, ably abetted by Smith and Vinaccia, to produce a rather fetching melodious offering.  The penultimate tune Eight and More sees Smith once more star on sax. The final track has an almost Eastern feel to it and if the title was to be guessed using  a crossword style clue it might read ‘heavy weight in middle of reviewer’ -  Stevtone.
This album was never likely to be wild wacky affair given its Nordic influences, however it is far livelier than one would imagine. The trio combine seamlessly to produce a highly enjoyable album. At least The Scotsman’s final Jazz review goes out on a high but what a shame it didn’t inspire them to continue reviewing music from the less popular musical genres. Hopefully if Scotland does become independent their residents will still be able to get Jazz reviews from sites such as this one although they may need a Scottish version ‘bejock spoken here’. 
 Arild Andersen - Mira is available on ECM Records.
Steve H.

1 comment :

Lance said...

I understand The Scotsman, under pressure from Scotsmen (and women), has since relented.

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