Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Wed 11: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 11: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 11: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 11: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, February 01, 2014

CD Review: Arild Andersen - Mira

Arild Andersen (bs); Tommy Smith (ten/fl); Paola Vinaccia (dms).
(Review by Steve H.)
This album has now become infamous as this was the last Jazz CD to be reviewed by The Scotsman much to Tommy Smith’s chagrin  Led by Norwegian Double Bass player Arild Anderson together with Scottish tenor player Tommy Smith and Italian born drummer but Norwegian resident Paola Vinaccia this trio come together for their second recorded collaboration in 6 years.  
The album starts with a brooding introspective piece Bygone which features a long bass solo by Anderson. Let bygone be bygones I say, as the next tune Blussy is almost funky and features a  rousing solo by Smith. This leads to the only cover on the album Burt Bacharach’s Alfie which is very sensitively and lyrically played by Smith’s saxophone   accompanied expertly by the other 2 band members. Rossetti  is a surprisingly lively number and the trio seem to really hit their stride. Reperate sees Anderson create a haunting atmosphere with the use of electronics. Raijin is a duet between drummer and Smith who plays the Shakuhachi - a Japanese style flute. Le Saleya has an almost Coltrane like feel, there is a certain poignant reflective quality about it. A brief interlude then comes in the way of another evocative shakuhachi solo Kangiten.  The title track Mira is a vehicle for Andersen to really  show his prowess, ably abetted by Smith and Vinaccia, to produce a rather fetching melodious offering.  The penultimate tune Eight and More sees Smith once more star on sax. The final track has an almost Eastern feel to it and if the title was to be guessed using  a crossword style clue it might read ‘heavy weight in middle of reviewer’ -  Stevtone.
This album was never likely to be wild wacky affair given its Nordic influences, however it is far livelier than one would imagine. The trio combine seamlessly to produce a highly enjoyable album. At least The Scotsman’s final Jazz review goes out on a high but what a shame it didn’t inspire them to continue reviewing music from the less popular musical genres. Hopefully if Scotland does become independent their residents will still be able to get Jazz reviews from sites such as this one although they may need a Scottish version ‘bejock spoken here’. 
 Arild Andersen - Mira is available on ECM Records.
Steve H.

1 comment :

Lance said...

I understand The Scotsman, under pressure from Scotsmen (and women), has since relented.

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