May
Thu 02: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 02: The Eight Words - A Jazz Suite @ Newcastle Cathedral, St Nicholas Square, Newcastle NE1 1PF. Tel: 0191 232 1939. 7:30pm. £20.00. (£17.00. student/under 18). Tim Boniface Quartet & Malcolm Guite (poet). Jazz & poetry: The Eight Words (St John Passion).
Thu 02: Funky Drummer @ The Globe, Newcastle. 8:00pm. Free.
Thu 02: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band: Mark Toomey (alto sax); Jeremy McMurray (keys) Alan Rudd (bass); Paul Smith (drums)
Fri 03: Dean Stockdale Trio @ The Old Library, Auckland Castle. 1:00pm. 8:00pm.
Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Jake Leg Jug Band @ Saltburn Community Hall. 7:30pm.
Fri 03: Front Porch Blues Band @ Cobalt Studios, Newcastle. 7:30pm.
Fri 03: Boys of Brass @ Hoochie Coochie, Newcastle. 8:30pm. £5.00.
Sat 04: Jeff Barnhart’s Mr Men @ St Augustine's Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 04: Jeff Barnhart @ The Vault, Darlington. 6:00pm. Free. Barnstorming solo piano!
Sat 04: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm. Free (donations).
Sat 04: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm.
Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £7.50.
Sun 05: Sue Ferris Quintet plays Horace Silver @ Central Bar, Gateshead. 2:00pm.
Sun 05: Guido Spannocchi @ The Globe, Newcastle. 8:00pm.
Mon 06: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Tue 07: Calvert & the Old Fools @ Forum Music Centre, Darlington. 5:30-7:00pm. Free. Live recording session, all welcome.
Tue 07: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood, Paul Grainger, Mark Robertson.
Tue 07: Suba Trio @ Riverside, Newcastle. 8:00pm (7:30pm last entry). £21.00. All standing gig.
Wed 08: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 08: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 08: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
6 comments :
he was one of my late dad's favourites
And your brothers too I would guess!
This is such sad news and despite his advancing years a big shock as Jim was active and playing as well as ever till very recently. I'm one of the many, many jazz guitarists who absolutely love his playing. From his early recordings with Giuffre then Desmond it was clear here was someone rather different with a thoughtful style, an intent listener to those around him, a harmonic master and a lyrical soloist for whom a sense of form and the innate beauty in his work, seemed so natural. His subsequent career is well documented – the iconic album with Rollins, the sublime duo pairing with Bill Evans, the 'Alone Together' duo with bassist Ron Carter, and his work many other jazz legends. I particularly love his trio and quartet albums – 'All across the city' and 'Circles'.
Jim Hall influenced countless jazz guitarists some who have become icons in their own right yet somehow he remained very different, a totally unique player who graced everything in music he was involved with and who must surely be ranked not only among the all time greats of jazz guitar but more than that, one of the truly great jazz musicians across the entire history of the music.
That's a great shame.one of the masters.
To my mind Jim Hall was the gentle giant of jazz guitar. His tone was quiet and soft and lulled you into the false belief that he wasn’t really doing very much until you tried to copy his runs, licks and chording. It was then you realised that this was no ordinary player and any complacency on your part was immediately replaced by feelings of inadequacy and awe. From his insistent rhythmic accompaniment with Jimmy Giuffre and Bob Brookmeyer, his exciting duets with Jimmy Raney and his superb album with the wonderful Carl Perkins on piano, to his tasteful solo performances, Hall has left an unequalled legacy of excellence. My particular favourite performances are his solo on “Deep in a Dream” on the aforementioned album and his playing throughout “In the Wee Small Hours” with Gerry Mulligan. I caught him once in London and came away spellbound and inspired in the same way I would have been if he had been Django Reinhardt or Charlie Christian. High praise indeed but totally deserved. The news of his death has shocked and saddened me immeasurably.
Jim Douglas
"Crazy He Calls Me" from the Giuffre Trio is the one that does it for me.
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