April 2025.
Wed 16: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 16: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 16: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free. CANCELLED!
Thu 17: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Only Six Standards.
Thu 17: Redwell @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Fri 18: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 18: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 18: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 18: Jason Isaacs @ St. James’ STACK, Newcastle. 1:00-2:45pm. Free. Vocalist Isaacs working with backing tapes.
Fri 18: Jason Isaacs @ STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 18: Alexia Gardner @ Fika Gallery, Oldgate, Morpeth NE61 1LT. 7:00pm. Trio (Gardner, Alan Law, Jude Murphy).
RESCHEDULED FOR JUNE 13
Fri 18: Sarah Jane Morris & Tony Remy: The Sisterhood @ Cluny 2, Newcastle. 7:30pm (doors). £25.00.
Sat 19: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 1:00-3:00pm. Free. Vocalist Isaacs working with backing tapes.
Sat 19: Joseph Carville Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 19: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 20: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 20: Salty Dog @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 20: Spilt Milk @ STACK, Exchange Sq., Middlesbrough. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Sun 20: Tweed River Jazz Band @ The Barrels Ale House, Berwick-upon-Tweed. 7:00pm. Free.
Sun 20: C.A.L.I.E @ The Globe, Newcastle. 8:00pm.
Mon 21: Newcastle Record Fair @ Copthorne Hotel, Newcastle. 10:00am. Going in search of the Buddy Bolden cylinder…
Mon 21: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Tue 22: Abbie Finn Trio @ Newcastle House Hotel, Rothbury. 7:30pm. Coquetdale Jazz.
6 comments :
he was one of my late dad's favourites
And your brothers too I would guess!
This is such sad news and despite his advancing years a big shock as Jim was active and playing as well as ever till very recently. I'm one of the many, many jazz guitarists who absolutely love his playing. From his early recordings with Giuffre then Desmond it was clear here was someone rather different with a thoughtful style, an intent listener to those around him, a harmonic master and a lyrical soloist for whom a sense of form and the innate beauty in his work, seemed so natural. His subsequent career is well documented – the iconic album with Rollins, the sublime duo pairing with Bill Evans, the 'Alone Together' duo with bassist Ron Carter, and his work many other jazz legends. I particularly love his trio and quartet albums – 'All across the city' and 'Circles'.
Jim Hall influenced countless jazz guitarists some who have become icons in their own right yet somehow he remained very different, a totally unique player who graced everything in music he was involved with and who must surely be ranked not only among the all time greats of jazz guitar but more than that, one of the truly great jazz musicians across the entire history of the music.
That's a great shame.one of the masters.
To my mind Jim Hall was the gentle giant of jazz guitar. His tone was quiet and soft and lulled you into the false belief that he wasn’t really doing very much until you tried to copy his runs, licks and chording. It was then you realised that this was no ordinary player and any complacency on your part was immediately replaced by feelings of inadequacy and awe. From his insistent rhythmic accompaniment with Jimmy Giuffre and Bob Brookmeyer, his exciting duets with Jimmy Raney and his superb album with the wonderful Carl Perkins on piano, to his tasteful solo performances, Hall has left an unequalled legacy of excellence. My particular favourite performances are his solo on “Deep in a Dream” on the aforementioned album and his playing throughout “In the Wee Small Hours” with Gerry Mulligan. I caught him once in London and came away spellbound and inspired in the same way I would have been if he had been Django Reinhardt or Charlie Christian. High praise indeed but totally deserved. The news of his death has shocked and saddened me immeasurably.
Jim Douglas
"Crazy He Calls Me" from the Giuffre Trio is the one that does it for me.
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