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Bebop Spoken There

Brian Dee: "I feel my generation had one advantage over today's players in that we were not musically educated in colleges, so we all sounded different. I could tell who it was just by the sound." - (Jazz Rag, Summer 2020).

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

Postage

11,783 (and counting) posts since we started blogging 12 years ago. 1023 of them this year alone and, so far, 50 this month (Sept. 17).

Coming soon ...

SEPTEMBER

IT IS ADVISABLE TO CHECK IN ADVANCE WITH THE VENUE THAT THE GIG IS ON

SATURDAY

Happy Birthday Katy Trigger & Mia Webb.

SUNDAY 20

Vieux Carre Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. Tel: 0191 691 7090. 12 noon. Free.

Riviera Quartet - The Globe, 11 Railway St., Newcastle NE4 7AD. 8:00pm. A limited number of seats are available which MUST be bought in advance online. £7:50 or £5:45 live stream only.

THURSDAY 24

Vieux Carre Jazzmen - The Holystone, Whitley Road, North Tyneside NE27 0DA. 0191 266 6173. 1:00pm. Free.

Maine St Jazzmen - Sunniside Social Club, Sunniside Road, Sunniside NE16 5NA. Tel: 0191 488 7347. 8:00pm - 10pm. Free. Note earlier start/finish.

Sunday, December 22, 2013

Simon Spillett Quartet @ The Oval Tavern, Croydon.

Simon Spillett (ten/sop); Ted Beamont (pno); Tim Wells (bs); Trevor Tompkins (dms).
(Review by Lance).
Simon Spillett never fails to impress. With a technique that outstrips most of his contemporaries (with each hearing he seems to add an extra hundred notes per phrase!) And yet, these aren't mere hip arpeggios but meaningful usage of the tools at his command. He is a walking, living, Jazz Courier with Tubby's technique and Ronnie's laconic sense of humour.
The 73 bus, the train and the walk to the oak beamed pub was well worth the effort. I don't know if the beams are genuine but the music certainly is. And if the beams are genuine oak then, because of the low ceiling, they ran risk of being somewhat singed as the notes flew upwards with the ferocity of a Xmas fireworks display.
The tenorman was in good company. Ted Beamont matched Spillett's excitement with some explosive solos of his own that exploited the chordal possibilities of the keyboard building up to incredible climaxes, Trevor Tompkins was described by Spillett as one of the finest drummers in this room today - and far beyond he may well have added. Tim Wells was at the heart of things soloing superbly throughout and holding it all together.
When he's not intent on going for world records Spillett can also display a romantic side to his playing e.g. sensitive readings of I Thought About You, Here's That Rainy Day, A Nightingale Sang in Berkeley Square and Someday My Prince Will Come - this latter tune on soprano. The first time I'd heard him on soprano and the first time I'd saw him sporting a beard. I wonder if the two are connected?
Simon Spillett is, he tells me, doing a JNE gig next month. One to look forward to. More details when JNE release the information.
Photos.
Lance.
Possibly more photos to follow...

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