Bebop Spoken There

Jools Holland (on his 2026 spring/summer tour): ''With the mighty [R&B] Orchestra, our wonderful boogie woogie singers, and the brilliant Joe Webb opening the shows [including Darlington Hippodrome, June 19], we're in for some very special evenings of music.'' The Northern Echo February 5, 2026

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18263 (and counting) posts since we started blogging 18 years ago. 117 of them this year alone and, so far this month (Feb. 6), 17

From This Moment On ...

February

Sat 07: The Big Easy @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 07: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30-3:30pm. Free. Open rehearsal.
Sat 07: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. St Thomas & Bésame Mucho. Enrol at: learning@jazz.coop.
Sat 07: Side Cafe Oᴙkestar @ Café Under the Spire, Gateshead. 6:30pm. Table reservations: 0191 477 3970.
Sat 07: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 08: Swing Tyne @ The Cluny, Newcastle. 12 noon (doors). Donations. Swing dance taster class (12:30pm) + Hot Club de Heaton (live performance). Non dancers welcome.
Sun 08: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 08: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 08: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.

Mon 09: Mark Williams Trio @ Yamaha Music School, Blyth. 1:00pm.
Mon 09: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 10: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 11: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 11: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 11: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington.. Free. Rehearsal session (open to the public).
Wed 11: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 12: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 13: Noel Dennis Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00. Dennis (trumpet, flugelhorn); Rick Laughlin (piano); Mick Shoulder (double bass); Tim Johnston (drums).
Fri 13: Joe Steels @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Castillo Nuevo Trio @ Hotel Gotham, Newcastle. 5:30pm. Free.
Fri 13: Lindsay Hannon: Tom Waits for No Man @ Arc, Stockton. 8:00pm.
Fri 13: Tom Remon & John Moriarty @ The Ship Isis, Silksworth Row, Sunderland SR1 3QJ. 7:00pm. £10.00 + £1.00 bf.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, August 04, 2013

Peter Volpe on Peter Fielding.

I've just been checking out your site and was fascinated to see the poster (supplied by Colin Aitchison) and thread on my grandfather Peter Fielding and his band. Link to previous post. I don't have too many direct memories of him other than at Christmas times as he was working away from Newcastle by the time I was born but I do remember regularly receiving birthday cards from exotic places when he was the bandleader on the Canberra and the QE2.
Over the years many people have spoken to me of his days at the Oxford Galleries however, invariably with warmth and nostalgia. These evocations have not been confined to the north-east; in my student days I met a saxophonist in a pub in Richmond (Surrey) who had played in his band for twenty years and knew my grandmother and all her six children, including my father, Tony. On my way to a Latin gig in Paris one evening I also heard a fascinating radio 4 interview  with the trail-blazing female saxophonist Kathy Stobart who related that during the war Peter Fielding gave her her first real gig - at the Oxford.
My father played the piano well in his youth, though he never worked with my grandfather. My uncle Peter played the trombone in the band. After suffering a heart attack he moved onto Bass and Piano. He produced the St. Jacome Trumpet method from my grandmother's kitchen cupboard and gave it to me when I took up the trumpet. I still have it in my work studio downstairs. Mike, another uncle, was a drummer and continued leading a band in the north east under his own name (Mike Fielding). I did a couple of deps in his band round the time I played in the Newcastle Big Band. You may well have come across him yourself at some time.
My grandmother Cath was a dancer in her young days and met my grandfather when he was the MD on a review in which she worked. I met my own wife when she was a dancer and singer in a show I worked on here in France. Who says history never repeats itself?!
Keep up the good work on the web site.
Peter Volpe. (Ed. photo of Peter Volpe taken from Peter's MySpace site.)
P.S. When you worked in Windows you were responsible for the choice of the first Jazz album I ever bought. It was a Lee Morgan record with Art Blakey. The second one you advised me to buy was by Clifford Brown.
Good choices!
Thanks.

3 comments :

Mal Maddock (on F/b) said...

I worked with Mike Fielding when I first started playing..... A great drummer & a gentleman..... I learned so much from him !

Lance said...

Pleased you took my advice Peter - it soon showed in your playing!
I sold Sting bass strings, Paul Booth his first tenor and banjo strings to Brian Bennett.
Oh and Malcolm, I recall when you used to come into the shop with your dad and kick seven shades out of, was it a Lowery, or a Rhodes or a Roland? can't remember but you must have been all of 14 going on 40!
Perhaps I should be nicknamed "The Kingmaker"!

Tom Henderson (on F/b) said...

I'm sure my pianist friend Eddie Farrow worked for Peter Fielding in the early days at the Oxford Galleries.

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