Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18799 (and counting) posts since we started blogging 18 years ago. 663 of them this year alone and, so far this month (Aug. 12) 32.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Mon 17: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 18: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels, Paul Grainger, Abbie Finn.

Wed 19: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 19: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 20: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 20: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 20: Edson Angus Quartet @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 20: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 21: Andrzej Baranek Trio @ The Lit & Phil. 1:00pm. £8.00. Andrzej Baranek (piano); Josh Cavanagh-Brierley (double bass); Dave Walsh (drums). SOLD OUT!
Fri 21: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 21: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 21: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 21: David Gray Flextet @ Sunderland Minster. 7:30pm. Old Black Cat Jazz Club.
Fri 21: Errol Linton & His Band + Michael Littlefield & Scott Taylor @ Gosforth Civic Theatre, Newcastle. Excellent blues double bill.

Sat 22: Durham Alumni Big Band + Durham Alumni All Stars + Swing Manouche @ Darlington Market Place. From 1:00pm. Free. The All Stars (1:00pm); The Alumni (2:00-4:00pm); Swing Manouche (4:15pm).

Sun 23: Tyne Valley Big Band @ Royal Quays Marina, North Shields. 2:00-4:00pm. Free..
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free..
Sun 23: Blue Note Quintet @ Queen’s Hall, Hexham. 3:00pm. £12.00., £10.00..
Sun 23: Timmy Allan Quartet @ The Globe, Newcastle. 8:00pm.

Monday, May 13, 2013

Miles Ahead by BOP @ Tyne Theatre May 5, 2013


Dollie Henry (choreographer) Paul Jenkins (musical director/flugel) Jason Yarde (alto) Julian Seigel (tenor) Jay Phelphs (trumpet) Jo Caleb (guitar) Graham Harvey (piano) Neil Charles (bass) Shane Forbes (drums)
(Review by Dave Parker)
This was an unusual evening’s entertainment put on by an innovative company with a total commitment to jazz. Sadly there was only a small audience to enjoy it.
Body of People (aka BOP) is a contemporary jazz dance and music theatre company set up in 1999 by choreographer Dollie Henry and jazz trumpeter Paul Jenkins. BOP aims to promote and develop jazz music and dance through performance and education.
The first half of the show was called Footprints in Jazz and it told the story of jazz from African roots to West Side Story. It was 40 minutes of creative dance sequences involving different combinations of the nine dancers. The music featured Paul Jenkins’ clever arrangements of Footprints, Blues in the Night, Caravan and other standards but it was all recorded. I was beginning to think I had been misled about the live music.
I was relieved when the second half started and there, on stage, were eight of the UK’s finest jazz professionals playing Miles Davis’ compositions including All Blues, Solar, Flamenco Sketches, So What, Milestones, Tutu and more. This wasn’t a tribute band, it was contemporary interpretation of well known tunes with top quality improvisation. Jason Yarde’s alto solos were fast and furious, Seigel on tenor was masterful and Phelps’ muted trumpet at times sounded just like Miles. Some numbers featured just the band, others featured the dancers who clearly responded to the live music.
This was exciting music, expressive dance and excellent entertainment. So why did so few people come to see it? Perhaps it is the problem of being a cross-over concept – jazz enthusiasts may not want dance to ‘spoil their music’ while ‘jazz’ sounds old fashioned to many contemporary dance lovers. A show like this needs a lot of promotion – which it didn’t get.  
But there’s hope for the future. The majority of the small audience was teenage girls, probably aspiring dancers and they will have learned something about jazz in general and Miles Davis in particular. Also they will have heard for themselves how exciting live improvised music can be.
Dave Parker.

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