Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

March

Mon 30: Gerry Richardson Quartet @ Yamaha Music School, Blyth. 1:00pm.
Mon 30: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 31: Bede Trio @ The Black Swan, Newcastle. 7:30pm. Free. Albert Hills Wright (alto sax); Finn Carter (piano); Michael Dunlop (double bass).

April

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Musicians playing classical & orchestral music.
Thu 02: The Noel Dennis Band @ Prohibition Bar, Albert Road, Middlesbrough TS1 2RU. 7:00pm (doors). £10.84. Quartet plus special guest Zoë Gilby. Over 21s only.
Thu 02: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Thu 02: Shalala @ The Globe, Newcastle. 8:00pm. £7.00. adv..
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Tuesday, May 14, 2013

CD Review: Deborah Latz - Fig Tree.


Deborah Latz – vocals; Jon Davis – piano; John Hart – acoustic & electric guitars; Ray Parker – double bass; Willard Dyson – drums, percussion; Peter Apfelbaum, tenor & soprano sax, flutes, percussion, Abdoulaye Diabate – voice on She Was.
(Review by Debra M.)
Fig Tree, Deborah Latz’s third album, comprises vocal jazz classics plus a number of World Music - flavoured songs, mostly original compositions. The opening   Blue Skies has a laid back, slightly funky groove. Other stylishly delivered standards  include; Hi-Fly, You’d be so Nice to Come Home to and S’wonderful, the latter featuring Ray Parker who can be heard  vocalising  his  solo.
The Brooklyn based singer has made the most of her top notch ensemble, with Parker and Jon Davis making compelling contributions, especially in duets with the vocalist. Embraceable You, by far the shortest track, is sung virtually acapella with Parker soloing on double bass throughout. This stripped down arrangement highlights Latz’s heartfelt interpretation of the lyric, as well as the purity of her tone and fine vocal control. She is also a linguist, and  is at ease with Latin rhythms, giving a relaxed rendition of Corcovado and E Luxo So in Portuguese, and of the Hellenic  folk song  Fevgo in Greek.
The guest multi-instrumentalist Peter Apfelbaum plays a treat, with a gorgeous tenor sax solo on Ill Wind, as well as making significant contributions to Latz’s originals. 
She Was,  an unusual  musical eulogy to her stepmother,  begins with a soundscape of percussion, bass and flute evoking a storm, which resolves into the sound of the ocean. It also features the Malian singer Abdoulaye Diabate, providing distinctive vocal contrast while Latz  explores the soprano end of her range. You Are, another unconventional composition,  dedicated to her husband, articulates her devotion through a sung love poem and Apfelbaum’s responsive, delicate and fluid tenor. And in the swinging  title  track, everyone has some fun  while  Latz’s “whimsical” lyric describes various animals getting together and hanging out under the Fig Tree. Her vocal improvisation is a menagerie of whistles, purrs, meows and growls, giving  an overall effect of ‘Johnny Morris meets Jazz’. Not a track for the purists, but possibly an amiable introduction to the genre for children…..
The 2 strands of this album - jazz standards, especially ballads, and original compositions / World Music - don't quite meld together. However they do  illustrate  the quality and distinctive nature of Deborah  Latz’s repertoire.
Deborah Latz - Fig Tree is available from May 7, 2013
Debra M.

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