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Bebop Spoken There

Branford Marsalis: "As ignorance often forces us to do, you make a generalisation about a musician based on one specific record or one moment in time." - (Jazzwise June 2023).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15478 (and counting) posts since we started blogging 15 years ago. 499 of them this year alone and, so far, 120 this month (May 27).

From This Moment On ...

May 2023

Wed 31: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 31: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 31: 4B @ The Exchange, North Shields. 7:00pm.
Wed 31: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

June
Thu 01: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 01: Thursday Night Prayer Meeting @ The Globe, Newcastle. 7:30pm. Donations.
Thu 01: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A 'Jar on the Bar' gig.
Thu 01: Jake Leg Jug Band @ The Globe, Newcastle. 8:00pm.
Thu 01: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 02: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 02: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 02: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 02: Joseph Carville Trio @ Saltburn Community Hall. 7:30pm.
Fri 02: Claire Martin & Her Trio @ The Witham, Barnard Castle. 7:30pm. £25.00., £20.00. Feat. Jim Mullen, Alex Garnett & Jeremy Brown.
Fri 02: Guy Davis + Michael Littlefield & Scott Taylor @ Cluny 2, Newcastle. Doors 7:30pm. Blues double bill.
Fri 02: Anders Ingram @ Prohibition Bar, Newcastle. 8:00pm. Blind Pig Blues Club. Country blues. A 'Jar on the Bar' gig.

Sat 03: Newcastle Record Fair @ Northumbria University, Newcastle NE8 8SB. 10:00am-3:00pm. Admission: £2.00.
Sat 03: Pedigree Jazz Band @ St Augustine's Parish Centre, Darlington. 12:30pm.
Sat 03: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Sue Ferris. £25.00. Enrol at: www.jazz.coop.
Sat 03: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free.
Sat 03: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00.
Sat 03: Papa G's Troves @ Prohibition Bar, Newcastle. 8:00pm. A 'Jar on the Bar' gig.

Sun 04: Smokin' Spitfires @ The Cluny, Newcastle. 12:45pm.
Sun 04: Central Bar Quintet @ Central Bar, Gateshead. 2:00-4:00pm. £5.00. The Central Bar Quintet plays Sonny Rollins' Saxophone Colossus. Featuring Lewis Watson.
Sun 04: 4B @ The Exchange, North Shields. 3:00pm.
Sun 04: Struggle Buggy + Michael Littlefield @ Tyne Bar, Newcastle. 4:00pm. Free. Acoustic blues.
Sun 04: Swinging at the Cotton Club: Harry Strutters' Hot Rhythm Orchestra @ The Fire Station, Sunderland. 7:30pm.
Sun 04: Richard Jones Trio @ The Globe, Newcastle. 8:00pm.

Mon 05: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 06: Paul Skerritt @ The Rabbit Hole, Hallgarth St., Durham DH1 3AT. 7:00pm. Paul Skerritt's (solo) weekly residency.
Tue 06: Jam session @ Black Swan, Newcastle Arts Centre. 7:30pm. House trio: Stu Collingwood (piano); Paul Grainger (double bass); Sid White (drums).

Wednesday, May 08, 2013

CD Review : MYRIAD3 - TELL


(Review by Dave Brownlow)
Chris Donnelly (pno), Don Fortin (bass) and Ernesto Cervini (dms).
Donnelly is an acclaimed pianist/composer equally at home in jazz and classical music,
Fortin has a background of jazz and rock and Cervini, a graduate of the Manhattan School of Music plays in or leads several local ensembles. Fortin explains “with MYRIAD3, a lot of varied styles and approaches converge, and that makes for a very different music”. This is very true and the album by the recently formed Toronto based group is far from the usual piano/bass/drums trio in the jazz tradition It is more that bass and drums have equality with the piano and where each musician contributes as they “share ideas and craft each piece collectively”. There are frequent mood, tempo or style changes within each piece. Of the 11 tracks on the CD, the pianist contributes 4 originals, the bassist 3 the drummer 3 and there is 1 standard - Duke Ellington’s C Jam Blues.

Myriad has a jaunty almost “country” feel at the start and then goes through several mood changes which go in different directions. Fractured is an exploration of arpeggio figures which intertwine between bass and piano; slightly “Monkish” at times, it’s aptly named! For The Dreamers begins with a gentle “Satie”- like repeated phrase which develops in intensity with some clashing “Cecil Taylor”- like chords together with thrashing drums leading to a sudden conclusion.
C Jam Blues begins conventionally enough when suddenly after 45 seconds the tempo and chord sequence changes with the band speeding up and slowing down in a somewhat schizophrenic fashion. “Duke” would have been an interested listener to hear his song dissected like this…….Disturbing Inspiration is in two parts. In the first there are two contrasting themes – one peaceful, the other more aggressive- which the trio switch between several times. Part 2 begins with a bass vamp which quickly becomes more complex as drums and piano enter. The drummer shines on this one.
Tell uses a simple 12-bar blues chord structure but is unlike any blues I've ever heard. Drifters begins with an almost “Debussyian” repeated chordal motif with some lovely piano developments. Be Still And Yet opens with a bass/piano vamp which continues throughout with some tempo changes; meanwhile the drums scuttle and thrash around in the background in a frantic chase. Mr Awkward is a slightly more conventional blues which features a pleasant piano solo. The trio have fun at the end seemingly unable to finish the piece. An awkward chord won’t resolve……..
Donnelly introduces huge disturbing “Tyner”- like chords in his solo as it builds, fades and builds - again with thundering drums accompaniment.
Lament/PEX starts in a stately fashion using a repeating minor “ground bass” figure which builds in intensity concluding in a joyous “J.S.Bachian” – like cadenza with the band at full throttle.
Despite my early misgivings, I’ve grown to like many parts of this music through repeated listening. I suggest it may appeal to the jazz listener who also has some interest in various genres of classical music.
David Brownlow.
The CD MYRIAD3 – TELL was released in November 2012 on Alma Records LC 13990.

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