Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

March

Mon 30: Gerry Richardson Quartet @ Yamaha Music School, Blyth. 1:00pm.
Mon 30: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 31: Bede Trio @ The Black Swan, Newcastle. 7:30pm. Free. Albert Hills Wright (alto sax); Finn Carter (piano); Michael Dunlop (double bass).

April

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Musicians playing classical & orchestral music.
Thu 02: The Noel Dennis Band @ Prohibition Bar, Albert Road, Middlesbrough TS1 2RU. 7:00pm (doors). £10.84. Quartet plus special guest Zoë Gilby. Over 21s only.
Thu 02: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Thu 02: Shalala @ The Globe, Newcastle. 8:00pm. £7.00. adv..
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Monday, March 11, 2013

CD Review: Olivia Foschi - Perennial Dreamer.


Olivia Foschi – voice; Miki Hayama – keys; Michael Olatuja – bass; David Rosenthal – guitar; Ulysses Owens Jr – drums.
(Review by Debra Milne.)
Olivia Foschi (Foo-Ski) spent several years developing her jazz voice in the US and in Italy, in the process of which she met drummer, and Perennial Dreamer’s producer, Ulysses Owens Jr. Owens has an impressive resumé, having played with musicians such as Wynton Marsalis, Christian McBride, Dianne Reeves, and Kurt Elling, with whom he won a Grammy for his work on the album ‘Dedicated To You’ in 2010.  More recently, he has taken to producing a number of emerging vocalists, including Foschi.  
Most of the album’s songs are original, with a few additional numbers including two Italian tunes. The lyrics are thoughtful and well written, and the music has a contemporary jazz feel, whilst drawing on jazz tradition. Her ensemble of established, highly regarded musicians is extremely sympathetic, and the dynamic arrangements provide opportunities for all the instrumentalists, notably in the opening number Here’s That Rainy Day, and in Everything Happens To Me, both of which have great harmonica by Gregoire Manet. Daydream, a beautiful ballad in which Foschi dwells on memories of love, features Mike Cottone, with a tender, sweet-toned solo on flugel horn. Alone Together is the most up tempo and rhythmic number, which culminates when the bass, piano and vocal riffs come together as a backdrop to a driving drum solo. The selection of instrumentalists in particular tracks accentuates the stylistic breadth of the album: Foschi and the piano trio really get swinging in I Adore You; in contrast, the bossa My Ideal, a duet with guitarist David Rosenthal, highlights Foschi’s warm clear tone throughout her vocal range, and also her relaxed, rhythmic scatting style. Altogether, an outstanding début album.
Self released March 11, 2013
Debra M.

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