Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18656 (and counting) posts since we started blogging 18 years ago. 520 of them this year alone and, so far this month (June 25) 72

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

June

Mon 29: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 30: Alan Law Trio @ The Ticket Office, Whitley Bay. 2:00pm. Free.
Tue 30: Eva Fox & the Sound Hounds @ The Black Swan, Newcastle. 7:30pm. Free.

July

Wed 01: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 02: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 02: De’Sean Jones & Blaque Dynamite feat. Urban Art Orchestra @ Cluny 2, Newcastle. 7:30pm (doors). De’Sean Jones (MD, tenor sax); Blaque Dynamite (Mike Mitchell, drums); Jamie Murray (drums) with UAO horns & strings.
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.
Thu 02: Howlin’ Mat @ Newcastle Arts centre. 7:30pm. Free. Acoustic

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Paul Donnelly Quartet @ Saltburn Community Hall. 7:30pm.
Fri 03: Martin Taylor @ Arc, Stockton. 8:00pm. Taylor (solo guitar).

Sat 04: Spats Langham’s Hot Fingers @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 04: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:00-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sat 04: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. Take the ‘A’ Train to Summertime: From Melody to Masterclass. Enrol at: learning@jazz.coop.
Sat 04: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 05: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest TBC.
Sun 05: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:15-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sun 05: Lydia Rae Quintet @ Central Bar, Gateshead. 2:00pm. £10.00. Rae (vocals); Sam Lightwing (alto sax, tenor sax); Ben Lawrence (piano); Andy Champion (double bass); John Bradford (drums).
Sun 05: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 05: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 05: Storytellers Street Band @ Ouseburn Woodland, Ouseburn. 5:00-6:00pm. Free. An Ouseburn Festival event.
Sun 05: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.
Sun 05: Jambone @ Glasshouse, Gateshead. 8:15-9:45pm. Free but ticketed.

Monday, January 21, 2013

The Curse of the Banjo and Other Stories

This evening I was wearing my other musical head, at South Shields Folk Club, where there was an   entertaining, and true, banjo story and also many burger tales (or should it be tails!).
John, a banjo player, who is also a model railway enthusiast, was at a model railway exhibition some years ago.  He was playing his banjo to entertain himself when the stall was quiet.  Another stallholder complained to the exhibition manager, instead of approaching John first, and the manager told him to stop playing, which he did reluctantly.  John returned to the same exhibition last year – the other stallholder was nowhere to be seen and it turned out that the exhibition manager was dead!  John reckons this was the curse of the banjo!
Burger jokes:
Heard in Tesco ‘I’ll have a fiver each way on that burger’
A certain supermarket is selling a new line in burgers – My Lidl pony
My wife and I ate horseburgers from Tesco, they were good but we got the trots
I bought a bottle of Bacardi, a bottle of navy rum and some burgers – white rum, dark rum and Red Rum.
I showed the assistant in Tesco’s the barcode and she handed me a zebra.
Ann Alex

3 comments :

Anonymous said...

Apropos of nothing in particular and banjos in general, in Dublinese, the verb 'to banjo' means to commit a violent act against some usually innocent bystanders (This may apply to jazz audiences listening to banjo solos). For reference see Christy Moore's song 'The Crack was Ninety in the Isle of Man'. This may explain the curse of the banjo...but on the other hand, maybe not.

Ann Alexander said...

I'm surprised (or maybe not!) to find that there is a prejudice against banjos in the jazz world as well as in the folk music world. In folk, the bodhran drum is also joked about - it's a one-sided drum held in the hand, and it's more difficult to play than you'd suppose - I know as I've tried. Perhaps all musical instruments are good if played well, so I wonder how these prejudices get started?
Ann Alex

Lance said...

The problem with the Bodhran is that nobody knows the correct pronunciation unless they live in a hamlet situated close to a peat bog near Tipperary. However, the pronunciation is probably totally different in Kildare - it certainly is in Jarrow.
As regards the unmentionable - Bloody Awful Noise Jazz Oddity - Its failings are in melodic charm, harmonic depth, and the ability to sooth the savaged breast. In it's favour, it is lethal in a game of Conkers.

Blog Archive