Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Wednesday, January 30, 2013

Walter Smith III @ The Sage

Walter Smith III (ten); Matt Stevens (gtr); Michael Janisch (bs); Jeremiah Williams (dms).
(Review by Lance).
The gathering was well-attended by those who chose to forego the charms of, was it Danny and Ben?, from Thunder (Google it, I had to!)
D and B were in Hall 2 whereas WS III  was in the Northern Rock Foundation Hall - and there weren't many empty seats for this Jazz North East presentation.
JNE don't always pick the winners but when they do you can bet your life it's a Derby winner. Tonight was just such a classic performance that I felt everyone in the world should be here. They weren't, but that's their misfortune. There were enough to encourage more of the same. By The Same I mean modern jazz that has advanced beyond earlier conceptions but keeps the music within a framework and avoids the Fire in a Pet Shop syndrome.
Smith is simply a wonderful tenor player, I don't know anything about Smiths I and II but this third generation guy can play. A Getzian sound combined with a Rollins-like aggression makes for fine tenor playing.
And hows about guitarist Stevens? So laid back and yet he expertly mixed single note lines with chordal interjections building up his solos to near perfection. On second thoughts, delete near.
Michael Janisch, like the other three, is American (I think Stevens is actually Canadian but I suppose that's still American in a sense) Janisch is currently resident in London. He provides  the pulse and delivers some of the most melodic bass playing in jazz.
Williams was mainly hidden from my view by his ride cymbal but, when I did catch a glimpse, it revealed a drummer with a smile that even Steve Brown would be envious of! His technique was awesome. Using just a basic set-up he drove the band at Formula One speed and soloed like there was no tomorrow.
Needless to say, the crowd demanded more and they got it.
Sans Stevens, Smith, Janisch and Williams delivered, arguably, the best Body and Soul since Coleman Hawkins set the benchmark 70 plus years ago.
This was pure magic.
A gig of the year contender already!
Lance.

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