Bebop Spoken There

John Donegan: ''What you take in through your ears can come out through your fingers.'' (Notes to Which Direction October, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

19,041 (and counting) posts since we started blogging 18 years ago. 905 of them this year alone and, so far this month (Oct. 26) 84.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 27: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. guest Julija Jacenaite.
Tue 27: Eva Fox & the Sound Hounds @ Newcastle Arts Centre. 7:30pm. Free (donations).

Wed 28: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 28: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 28: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 29: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 29: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 29: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 29: Radio Pensacola Band @ The Blacksmith’s Arms, Hartlepool. 8:00pm. Featuring guest Jan Spencelayh.
Thu 29: Simon Taylor Band @ Newcastle Arts Centre. 7:30pm. £8.00.
Thu 29: King Bees @ The Harbour View, Roker, Sunderland. 8:00pm. Free. Superb Chicago blues band.

Fri 30: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 30: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 30: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 31: Saltburn Big Band + Durham Alumni Big Band @ Saltburn Community Hall. 7:30pm.
Sat 31: East Coast Swing Band @ Cramlington Village Club, Park View, Cramlington NE23 6QJ. 7:30pm. £10.00. (from venue).

November

Sun 01: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 01: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Quintet w. special guest Donna Hewitt (tenor sax, clarinet)
Sun 01: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 01: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 01: Sarah Heneghan Trio @ The Globe, Newcastle. 8:00pm.

Mon 02: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 02: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tuesday, January 15, 2013

CD Review: Chris McNulty - The Song That Sings You Here.


Chris McNulty – voice; Ugonna Okegwo – bass; Marcus Gilmore – drums; Paul Bollenback – guitars; Andrei Kondokov – piano; Graham Wood – piano & Rhodes; Igor Butman – tenor & soprano sax; Anita Wardell – guest vocals.
(Review by Debra Milne)
Chris McNulty is a New York based jazz singer, who has established her reputation over the past decade or so playing in the US, Australia and Europe. The album was recorded with her regular group of international musicians from New York, Australia and Russia. 

The selection of material and the restrained backing evoke an intimate jazz club, with nicely swinging tunes such as How Little We Know, and some beautifully sung ballads, in particular Horace Silver’s Lonely Woman. The 1930s song The Lamp Is Low is also well done, and builds from a vamp with guitar, piano and vocal into a lively Latin number, with the addition of British born/Australia raised singer Anita Wardell. McNulty’s  vocals have the most attitude,  and some great rhythmic scatting, in the Fats Waller song, Jitterbug Waltz, followed in a similar vein by solos from Igor Butman on tenor sax and Paul Bollenback on guitar. The most unusual track is Song for Marta; it has an Eastern European feel, and was originally composed when McNulty was a teenager.  She recorded the vocal outdoors in Pennsylvania, on a glorious spring day – the birdsong and thunder are genuine.  An exquisite piano accompaniment by Graham Wood was added later.  The sessions for this album were recorded in just one day, and as a result, it has succeeded in conveying the feel of a live performance by this accomplished singer, with a distinctive jazz voice.
Debra Milne.

1 comment :

Hil said...

I checked out her website and really liked what I heard. On another album Chris does a good version of a Burt Bacharach/Hal David all-time favourite of mine "Make it easy on yourself"

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