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Bebop Spoken There

Barry Harris (in 1981): "There is not one place in the world that you can find more jazz musicians from than Detroit." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday August 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Blues/Funk/Soul

Rockafellas - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Evening

Jazz

East Coast Jazz Jam - The Exchange, Howard Street, North Shields NE30 1SE. Tel: 0191 258 4111. 6:00pm. Free.

Bradley Johnston Trio + Giles Strong Trio - Black Bull, Bridge St., Blaydon NE21 4JJ. Tel: 0191 414 2846. 7:30pm. £7.00.

Dan Garel & Friends - The Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm (doors). £6.00. (£3.00. student).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, January 18, 2013

CD Review: HULLABALOO – DAVE MANINGTON’S RIFF RAFF


Brigitte Bereha – vocals; Tomas Challenger – tenor saxophone; Ivo Neame – piano, Fender Rhodes, Keyboards, accordion; Rob Updegraff – guitar; Dave Manington – double bass; Tim Giles – drums percussion.
(Review by Debra Milne.)
Hullabaloo, an album by Dave Manington’s Riff Raff project, developed from several years of improvisation and collaboration, with a number of London based contemporary jazz musicians. He sets his stall out in the first track, Agile, which begins with a sweet rhythmic figure, then moves through a number of time signatures and key changes, and includes a freely improvised section with bass and drums.
 Brigitte Bereha uses her voice instrumentally on this and most of the tracks. She has a supple, light sound which complements the other instruments, either following a distinct melodic line, or in harmony with the tenor sax or double bass.  Her contribution is exemplified in Lingering At The Gravy, and follows Tim Giles introductory solo, featuring delicate cymbal work and drum rolls.
The influence of the drummer‘s fluid style on Manington’s playing and writing is reflected in several tracks, where the bass is the rhythmic anchor, allowing Giles to go off on percussionary diversions.  Bereha wrote lyrics to 3 compositions, and Catch Me The Moon comes closest (but not very) to a traditional jazz ballad, with a vocal & piano introduction. As with the rest of the album, there is no obvious ‘head – solos – head‘  structure, but periods where different instruments come to the fore, either individually or in combination.  There are European influences too: Pedro Bernardo was inspired by a stay in a Spanish hill town, and conveys the relaxed pace of life, building into dynamic solos from Rob Epdegraff on guitar and Tomas Challenger on tenor sax. Ivo Neame gets his accordion out for You Can’t Eat Crisps To That, playing an up-beat, Balkan-influenced groove,   which is developed and supplemented by additional rhythms and motifs by the rest of the ensembleManington named the CD after the second track Hullabaloo - a great noise or excitement,  but that  is a simplistic description  of a much more compelling musical conversation.
Loop Records Loop 1015 – distributed by Cadiz – release date January 21 2012.
Album launch date: The Vortex Jazz Club, January 28, 2013.

Debra Milne.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance