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Bebop Spoken There

Art Hirahara: "Playing with people is the most important thing to me, and not playing with people is torture." - (DownBeat August, 2020)

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11,772 (and counting) posts since we started blogging 12 years ago. 912 of them this year alone and, so far, 49 this month (August 13).

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August

Thursday 20: Vieux Carre Jazzmen - The Holystone, Whitley Road, Holystone, North Tyneside NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free. OUTDOOR gig.

Monday, January 21, 2013

Debra Milne Ensemble @ The Bridge Hotel. January 20.

Debra Milne (vocals), Steve Glendinning (guitar), Paul Susans (double bass) & Rob Bates (drums)
Christmas done, New Year done, Splinter at the Bridge is back. Hello snow. The few turned out to hear Debra Milne. The Newcastle based vocalist has assembled a trio of musicians of some pedigree. Guitarist Steve Glendinning knows his instrument, Paul Susans is an in-demand bass player and young drummer Rob Bates has developed at a rate of knots. Milne presented two sets of balanced material; bop standards, a bossa, a couple of original tunes (Glendinning is a song writing partner) and a tune for KC. An intriguing aspect to Milne’s performance is a penchant for writing lyrics to bebop charts  - Killer Joe and Good Bait being two such classics. Jobim’s How Insensitive highlighted the delicate playing of Glendinning, No More Blues swung as did Four with the Jon Hendricks lyric and an original - Show Me the Man - suggested there is a budding lyricist in our midst. Milne was a habitué of the Jazz Café on Pink Lane and the untimely death of proprietor Keith Crombie inspired the tune The Jazz Caff Song and with it the set drew to a close.
Russell        

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