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Bebop Spoken There

Whitney Shay: 'A few years back, I did a gig at an Asian grocery store next to the frozen food section. It was the opening of their bakery. It was a jazz gig and I sang jazz standards next to the frozen fish!'' - (Blues Matters! June/July 2020)

Dave Rempis:Ten years from now, I can see musicians streaming concerts in real time and charging a minimal amount for people to watch.” - (DownBeat September 2013)

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Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

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As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Monday, January 21, 2013

Debra Milne Ensemble @ The Bridge Hotel. January 20.

Debra Milne (vocals), Steve Glendinning (guitar), Paul Susans (double bass) & Rob Bates (drums)
Christmas done, New Year done, Splinter at the Bridge is back. Hello snow. The few turned out to hear Debra Milne. The Newcastle based vocalist has assembled a trio of musicians of some pedigree. Guitarist Steve Glendinning knows his instrument, Paul Susans is an in-demand bass player and young drummer Rob Bates has developed at a rate of knots. Milne presented two sets of balanced material; bop standards, a bossa, a couple of original tunes (Glendinning is a song writing partner) and a tune for KC. An intriguing aspect to Milne’s performance is a penchant for writing lyrics to bebop charts  - Killer Joe and Good Bait being two such classics. Jobim’s How Insensitive highlighted the delicate playing of Glendinning, No More Blues swung as did Four with the Jon Hendricks lyric and an original - Show Me the Man - suggested there is a budding lyricist in our midst. Milne was a habitué of the Jazz Café on Pink Lane and the untimely death of proprietor Keith Crombie inspired the tune The Jazz Caff Song and with it the set drew to a close.
Russell        

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