Total Pageviews

Bebop Spoken There

Ethan Iverson: "Mickey Roker played drums in church, and his beat on [Mary Lou] Williams' "Ode to St. Cecile" might make even a diehard atheist a believer" - (JazzTimes Sept. 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday October 14

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

Richard Bona & Alfredo Rodriguez - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 8:00pm. £24.50.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, January 20, 2013

Digby Fairweather with the Swing City Trio @ Trinity Church, Gosforth. January 19

Digby Fairweather (cornet & vocals), Steve Andrews (tenor saxophone, clarinet & vocals), Roly Veitch (guitar & vocals) & Roy Cansdale (double bass) + Iain MacAulay (trombone)
(Review by Russell)
Gosforth High Street resembled a scene on a Christmas card - giant snow flakes, lots of them, threatening a white-out, settling under foot. The Newcastle suburb looked a picture - if you like that sort of thing. Trinity Church and Centre isn’t an obvious choice as a jazz venue yet good numbers invariably turn up for their monthly fix of the music. This bleak mid winter night deterred all but the hardy (fool hardy?). Once inside, the bottle bar was a first port of call. Hadrian Border’s Farne Island looked the pick. The audience looked rather thin (numerically). As the first set got underway the audience had beefed-up (numerically). The attraction? Digby Fairweather, no less.
An added attraction was the company he was keeping - the Swing City Trio, no less. Four amiable characters playing some tunes, having a good time. This Can’t Be Love, I Can’t Give You Anything But Love, Baby and I’m Confessin’ That I Love You (the latter dedicated to Ruby Braff featured stupendous playing by Fairweather). Braff anecdotes included the occasion when, on Tyneside, the American worked with Fairweather. After the gig, walking back to their hotel, Braff asked Essex lad Fairweather if he knew ‘The Lambeth Walk’ Did he? Of course he did! Picture the scene…the pair of them, arms linked, singing Cockney songs late into the night on the streets of Newcastle!
Swing That Music upped the tempo with Steve Andrews’ knock-out clarinet work. Guitarist Roly Veitch sang ‘Tis Autumn with wonderful contributions from Andrews (clarinet) and Fairweather. Veitch and rhythm partner bassist Roy Cansdale stoked it up big style on Spotlight as Andrews drew inspiration from Coleman Hawkins. 
The second set was just like the first - full of gems. Veitch sang What a Little Moonlight Can Do and Stars Fell on Alabama (ace trombonist Iain MacAulay joined the party), Andrews sang She’s Funny That Way and a blues heard MacAulay at his Teagarden-like best. Fairweather said he would happily play all night in the company of such fine musicians but it was almost closing time and a storming Lester Leaps In sent us on our way. Snow storms? What snow storms?
Russell                 

No comments :

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance