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Bebop Spoken There

Giovanni Guidi: "So many jazz albums today are all original compositions, and five minutes after the record is finished, you can't remember a single song. I think it's a problem." - (JazzTimes Oct. 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Friday October 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Classic Swing - Jesmond Royal British Legion Club, West Jesmond Avenue, Jesmond, Newcastle NE2 3EX. Tel: 0191 281 0736. 1:00pm. Free.

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Evening.

Ella Fitzgerald: Just One of Those Things - Forum Cinema, Market Place, Hexham NE46 1XF. Tel: 01434 601144. 7:00pm. £8.30. - £5.80. Film (2019, 89 mins) directed by Leslie Woodhead. Swing Bridge Trio in Café Bar following screening.

Dave O’Higgins & Colin Oxley - Great Broughton Village Hall, Ingleby Road, Great Broughton TS9 7ER. 7:30pm. £20.00. ‘O’Higgins & Oxley Play Monk & ‘Trane’. Oxley replaces Rob Luft.

Paul Taylor - Ushaw College, Durham DH7 7DW. Tel: 0191 334 5119. 7:30pm. Free (donations). An Ushaw Piano Festival event.

Jazz Lads - Saltburn Cricket Club, Marske Mill Lane, Saltburn TS12 1HJ. Tel: 01287 622761. 8:00pm. £5.00.

Guisborough Big Band - Saltburn Golf Club, Guisborough Road, Saltburn TS12 1NJ. Tel: 01287 622812. Time TBC.

Miles Davis: Birth of the Cool - Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. Tel: 0191 227 5500. Time 8:30pm. Screening of Stanley Nelson's documentary film (2019, cert. 15, 1hr 55mins).

Blues/Soul etc.

Ray Stubbs R & B All Stars - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, December 02, 2012

trio VD @ The Sage December 1

Chris Sharkey (guitar & electronics), Christoph de Bezenac (alto saxophone & electronics) & Chris Bussey (drums & electronics)
(Review by Russell)
The Sage was busy. The Messiah in Hall One and Martin Simpson in Hall Two both doing brisk business. In the Northern Rock Foundation Hall it was a different matter. For some reason trio VD didn't pull a crowd. Last time, in the same room (during the Gateshead Jazz Festival) the Leeds based outfit drew a big crowd and won many new admirers. So, where were these converts last night? Fair weather jazz (festival) fans? Stay at home CD types? trio VD (a word of explanation - it is lower case t in trio) further confuse matters by disparaging the J word, although in truth they are telling the truth - what they do isn't jazz (or is it?). 
Have you noticed that jazz is the one form of music that practitioners (and listeners) frequently feel compelled to ‘explain’, in some cases issuing a pre-performance apology! Was it really daggers drawn back in the day…Traddies versus Dirty Boppers? trio VD take the argument into another realm. What these guys have is chops…jazz chops, schooled at that. They have chosen a different path. Good on them. They play it loud. They incorporate electronics. It sounds like rock music (to some). Dig it, put it in a bag…or not.

The support act, for one reason or another, didn't appear, so trio VD decided to play a support set too…trio VD! Sharkey, de Bezenac and Bussey walked onto stage without fanfare and without name. 

A short first set (in the tradition of support acts) made full use of the electronic gadgetry. The Apple Mac, loops, delays, pedal boards (guitarist Sharkey’s array lit up like fairy lights strewn across the flight deck of a transatlantic airliner), all preoccupied the trio for some time. 

Suddenly Chris Bussey remembered he was a drummer. He picked up his sticks and started to play. Altoist de Bezenac blew a few notes then took time out to process them. Meanwhile, back on the flight deck, Sharkey set off a sonic boom, twiddled and recycled it. Scary stuff. Time for a break. The trio’s new CD Maze was available for sale. Family and friends of the band were in attendance. 

Second set, more electronic manipulations and more playing, real playing. At times - it is a stated objective - lines became blurred. Was that sound played by Sharkey? Did de Bezenac play that or did it come from Bussey? Precision playing, at lightening fast tempi, Bussey delighting in changing time - time and time again. Stunning. I don’t know how they do it. Yes I do, they are superb musicians. Was it jazz? Discuss.    
Russell.                       

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance