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Bebop Spoken There

Claire Martin: "I used to dye my hair like Marilyn Monroe and bomb around in a Sunbeam Rapier ''- (Jazz Cassette Vol 1 No. 2).


Bob Sinfield: "'Bebop in Britain' [4 CD set] has two potential categories of customer; those who are old enough to remember, and those who aren't." - (Jazz Cassette Vol 1 No. 2).


Today Sunday October 23

Stu Collingwood (solo piano) - Redwood Bar, Vermont Hotel, Castle Garth, Newcastle NE1 1RQ. 2pm. Free.
Giles Strong (solo guitar) - Cherry Tree Restaurant, 9 Osborne Rd., Jesmond, Newcastle. 1:00pm. No cover charge.
Musicians Unlimited - Park Inn, Park Rd., Hartlepool. 1pm. Free.
More Jam – The Globe, 11 Railway St., Newcastle NE4 7AD. 3pm. Free. All welcome to blow.
Vasilis Xenopoulos Quartet - Blaydon Jazz Club, Black Bull, Bridge St., Blaydon NE21 4JJ. 8pm. £7. *****
Baghdaddies - Trimdon Colliery & Deaf Hill WMC Club, TrimdonTS29 6AJ. 7:30pm. £3.
To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, December 09, 2012

Graeme Wilson Quartet - The Music of John Coltrane. Splinter @ The Bridge.

Graeme Wilson (ten); Stu Collingwood (keys); Andy Champion (bs); Adrian Tilbrook (dms). (Review by Lance.)
Song of the Underground Railroad from Coltrane's Africa Brass album kicked off this tribute. Wilson was in paint-stripping mode from bar one. By bar 16 he was going for the jugular and by the end of his solo he left no doubt that he was The Man to take us on a Trane ride. Collingwood kept the engine fuelled with Tilbrook and Champion making sure it stayed on track. What am I saying? "Stayed on track!" - it did a couple of mid air somersaults , shaked it's caboose and still arrived on time. This was some Trane!
Next up Lazy Bird from Blue Train - my favourite Coltrane album - more outstanding solos and I have to say, at this moment in time, I can't think of four guys who are still alive doing this better than tonight's four. I'm not talking Newcastle or even England - I'm talking the world.
Coltrane's tribute to Sonny Rollins - Like Sonny - ticked the boxes as did the beautiful Aisha from Olé. This was followed by the most amazing version of Countdown. I well recall the Woody Herman Band playing this at a North Sea Jazz Festival circa 1983. Charlie Carmichael and I watched and listened in awe as the five saxes blew this legendary fingerbuster with apparent ease. Tonight, Graeme Wilson did the same and did it even faster!
Break time. The consensus during the interval was that this Coltrane themed gig had pulled a respectably sized audience - as had previous themes such as Miles, Mingus and Bill Evans.... Who next? 
Back on the stand, Tilbrook put the boot in before Wilson joined him for a drum/tenor blast on Venus that led, I think, into Cosmos. Whatever, it was one helluva journey into space!
Bass Blues moved back in time by a minute or two but Persuance from the Love Supreme album propelled us into a world of Supreme Love.
This should have been recorded!
It was! - video link

1 comment :

  1. You can hear (and see, eventually) the whole gig here:


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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: I look forward to hearing from you.