Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18395 (and counting) posts since we started blogging 18 years ago. 259 of them this year alone and, so far this month (Mar. 30 ), 69

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

March

Tue 31: Bede Trio @ The Black Swan, Newcastle. 7:30pm. Free. Albert Hills Wright (alto sax); Finn Carter (piano); Michael Dunlop (double bass).

April

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Musicians playing classical & orchestral music.
Thu 02: The Noel Dennis Band @ Prohibition Bar, Albert Road, Middlesbrough TS1 2RU. 7:00pm (doors). £10.84. Quartet plus special guest Zoë Gilby. Over 21s only.
Thu 02: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Thu 02: Shalala @ The Globe, Newcastle. 8:00pm. £7.00. adv..
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: King Bees @ Billy Bootleggers, Newcastle. 7:00pm (doors). Free. Chicago blues.

Tuesday, October 09, 2012

CD Review Jacqui Sutton, Notes From The Frontier, A Musical Journey


Jacqui Sutton (vocals, producer and musical director); Paul Chester (banjo, guitars); Anthony Sapp (basses); Ilya Janos (percussion); Eddie Lewis (trumpet, flugelhorn, piccolo trumpet); Henry Darragh (keyboards, trombone, melodeon); Lyndon Hughes (drums, background vocals); Cindy Scott (background vocals) Aralee Dorough (flute); Bob Chadwick (Irish flute).
(Review by Ann Alex).

How is a new musical genre created?  I guess it evolves gradually from the work of many musicians over a period of time.  Then there comes a day when they realise that they have something different from what has gone before, so it gets a label such as ‘bluegrass’ or, say, ‘western swing’.  I ask because this CD claims to be something new called ‘frontier jazz’, which is said to be a mixture of jazz, bluegrass, classical, musical theatre and folk music.  The mixture didn't work for me, but others may like it.  I heard too many disparate sounds, with vocals which didn't always match the meaning of the song lyrics.  This was a pity because Ms Sutton has a lovely voice, and the musicians are skilled with effective solos on some of the tracks.  It’s not really a jazz CD, but rather nearer to a country music feel.  The songs themselves were well worth singing.
The more acceptable tracks were Dear Friend, a sad song from musical theatre about being stood up, with an ethereal effect from the synthesizer; Weary Angel, a jazzy spiritual with good banjo and trumpet work and all the musicians playing in a final jam; Hummingbird, which incorporates Brubeck's Blue Rondo a la Turk riff into the accompaniment is an interesting experiment that may or may not have come off; Blue Mountain, a straightforward country song;  and the final track, Better Than Anything, a witty song listing everything that is not better than falling in love, which included nifty jazz piano and guitar solos.  Many of the other eight tracks worked instrumentally but the singer sometimes lapsed into singing in a soprano voice which didn't, at least to my ears, sound quite right.
I believe the CD was released in early October in the United States, Catalogue number TBTP002.
Ann Alex.

No comments :

Blog Archive