Total Pageviews

Bebop Spoken There

Ethan Iverson: "I asked Bertha [Hope] if she ever used the word "contrafact" to describe the process of writing new tunes over old changes, and she replied, "Of course not. The only people who used that word went to a university to learn about jazz."" - (Jazz Times March 2020).

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COFID- 19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Tuesday, July 10, 2012

CD Review - “Benoit Viellefon Hot Club live at the Quecumbar“

Benoit Viellefon (vcl/gtr), Pedro Velasco (gtrs); Geoffrey Threadgold (dbl bs); Dave Shulman (sax/clt); Peter Horsfall (tpt); Peter Watson (acc).
(Review by Lance).
The Quecumbar is London's and possibly Europe's most renowned Gypsy Jazz venue so it was a natural place for the Benoit Viellefon Hot Club to record this, their most recent CD.
In a field that has no shortage of competition both at home and abroad it says much for Benoit's ensemble that they can bear comparision with any of them. There is an authenticity about the sound and the solos that make it hard to believe that this isn't an actual pre-war recording - which for this type of band is the ultimate accolade. (This effect was obtained by the use of a single recording mic.)

It's unfair to single out individuals but I found Shulman's clarinet particularly appealing. Part of his unique individuality probably stems from his background in Klezmer/Balkan music. Trumpeter Horsfall plays within his comfort zone utilising lots of tonal effects whilst the accordion, double bass and  two guitars ensure that the Romany Rhythm is maintained.
The choice of material varies from Django classics such as Douce Ambience, Minor Swing and Daphne; Gasbook classics such as All of Me, Caravan, After You've Gone, Whispering as well as several originals from Benoit himself. who also adds his distinctive vocal chords to several tunes..
In many ways this is the most refreshing brand of Gypsy Jazz I've heard since the early days of Waso.
Check them out.
The CD “Benoit Viellefon Hot Club live at the Quecumbar“ (JohnJohn Records) is launched at The Royal Albert Hall this Thursday July 12.
Lance.



No comments :

Blog Archive