Bebop Spoken There

Emma Rawicz: "In a couple of years I've gone from being a normal university student to suddenly being on international stages." DownBeat January 2026.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18219 (and counting) posts since we started blogging 17 years ago. 73 of them this year alone and, so far this month (Jan. 24), 73

From This Moment On ...

JANUARY 2026

Fri 30: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 30: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 30: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 30: Castillo Nuevo Trio @ Hotel Gotham, Newcastle. 5:30pm. Free.
Fri 30: Pete Roth Trio @ Gosforth Civic Theatre, Newcastle. 7:30pm (doors). Feat. Bill Bruford.
Fri 30: Jive Aces @ Alnwick Playhouse. 7:30pm.
Fri 30: Tweed River Jazz Band @ Northern Edge Coffee, Silver St., Berwick. 7:00pm.
Fri 30: Dan Coulthurst Quintet @ Central Bar, Gateshead. 7:30pm (7:00pm doors). £10.00 + £1.00. bf (www.wegottickets.com). Coulthurst (trumpet); Joel Steadman (bass clarinet, flute); Nico Widdowson (piano); Fergus Quill (double bass); Theo Goss (drums).

Sat 31: Darling Dollies @ St George’s Church, Jesmond, Newcastle. 3:00pm. £10.00. Vocal trio.
Sat 31: Brass Fiesta @ Revoluçion de Cuba, Newcastle. 10:30pm. Free.

FEBRUARY 2026

Sun 01: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 01: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Quintet + guest Bill Watson (trumpet, flugelhorn).
Sun 01: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 01: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 01: Annie & the Caldwells @ The Cluny, Newcastle. 7:30pm (doors). £25.00. adv. Gospel/soul.
Sun 01: Jive Aces @ Alnwick Playhouse. 7:30pm.
Sun 01: Olly Styles Experience + Jenny Baker @ the Globe, Newcastle. 8:00pm.

Mon 02: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 02: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free.

Tue 03: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 03: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels, Paul Grainger, Abbie Finn.

Wed 04: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 05: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject:Times of the Day & Trios.
Thu 05: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Special guest Emma Wilson.
Thu 05: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, July 25, 2012

Record Review from December 22, 1939 Jazz Information magazine

COLEMAN HAWKINS’ Orchestra (SB 10523)
Body And Soul - Fine Dinner.
Tommy Lindsay, Joe Guy trumpets; Earl Hardy, trombone; Jackie Fields, Eustis Moore, alto saxes: Coleman Hawkins, tenor sax; Gene Rodgers, piano; Oscar Smith, bass: Arthur Herbert, drums.
Coleman Hawkins’ second record has been released, and again we are compelled to report that his improvisations on the slow tunes are sterile and meaningless, and his tone on the fast side forced and unpleasant. In reply to Mr. Caughren, who criticized our stand on Hawkins in the December 8 number, we might observe that the point at issue is not the roughness of Hawkins’ tone, but its quality. A tone can be rough - - like Pee Wee Russell’s - without being strained. A good jazz tone on any wind instrument,we insist, must combine force with restraint in some degree of balance. The finest and hottest intonation comes when great power is firmly controlled. When the control slips, you have the kind of tenor Hawkins plays on Fine Dinner. And not only the tone fails, but the phrasing, which becomes stiff and a bit sloppy.
On Body And Soul the trouble is different. No forcing here, and the tone is immensely better, even if a little sentimental. But Hawkins plays almost entirely without inspiration: his variations are mechanically constructed of cliches and without much logic.
Hawkins' talent in his Henderson days was undeniably fine, and we don’t doubt that he can do much better than the new records show. His present band is certainly uninspiring.
Jazz Information December 22, 1939.
Editors note: Jazz Information ran as a weekly magazine from September 1939 to November 1941. It began life in the backroom of the Commodore Music Shop on 52nd St., NYC - the brainchild of former Columbia College students Ralph Gleason, Ralph Toledano, Eugene Williams and Jean Rayburn.
Some years ago an American musician, Joe Shepherd, put all but one issue on line although the site now seems to have vanished. It was a beautiful project that was ahead of its time even though they didn't always get it right as in the above review. - Lance.

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