Bebop Spoken There

David Bailey (photographer): ''When I was 16 I wanted to look like Chet Baker. He was my idol - him and James Dean.'' (Talking Pictures documentary : Four beats to the bar and no cheating April, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18445 (and counting) posts since we started blogging 18 years ago. 309 of them this year alone and, so far this month (April 20 ) 43,

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

April

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Nubiyan Twist @ Digital, Newcastle. 7:00pm. £28.75 (inc. bf).
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Daniel John Martin w. Swing Manouche @ Bishop Auckland Methodist Church. 7:30pm. Date, time & admission TBC.
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 23: FILM: Big Mama Thornton: I Can’t Be Anyone But Me @ Tyneside Cinema, Newcastle. 6:15pm. Dir. Robert Clem (2025).
Thu 23: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 23: Eva Fox & the Sound Hounds @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 23: Jeremy McMurray’s Pocket Jazz Orchestra & Musicians Unlimited @ ARC, Stockton. 8:00pm. £19.00. inc. bf.

Fri 24: Noel Dennis Trio @ The Gala, Durham. 1:00pm. Dennis, Mark Willams, Andy Champion.
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Trio Grand @ Land of Oak & Iron, Winlaton. 6:00-9:00pm. Free.
Fri 24: Ben Vince + The Exu @ Cobalt Studios, Newcastle. 7:00pm (doors). £14.33., £11.16, £8.00. A ‘jazz adjacent’ gig!
Fri 24: Daniel John Martin w. Swing Manouche @ The Ship Isis, Sunderland. 7:30pm. £13.20 (inc. bf).
Fri 24: TBC @ The Traveller’s Rest, Darlington. 8:00pm.

Sat 25: Giles Strong Quartet @ Hindmarsh Hall, Alnmouth. 7:30pm.
Sat 25: Daniel John Martin w. Swing Manouche @ The Old Cinema Launderette, Durham. 7:30pm (7:00pm doors). £13.20 (inc. bf).
Sat 25: ‘Portrait in Evans’: Noa Levy & Alan Barnes w. Paul Edis Trio @ The Glasshouse, Gateshead. 8:00pm. £24.00. Sage Two. ‘Portrait in Evans’. Levy, Barnes, Edis, Andy Champion & Steve Hanley.

Sun 26: Musicians Unlimited: Big Band Blast @ West Hartlepool RFC. 1:00-3:00pm . Free.
Sun 26: Daniel John Martin w. Swing Manouche @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 26: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 26: Ruth Lambert Trio @ Juke Shed, North Shields. 3:00pm. Free.
Sun 26: Ni Maxine + Nauta @ Cobalt Studios, Newcastle. 7:00pm. £17.51., £14.33., £11.16.
Sun 26: Joe Steels @ The Pele, Corbridge. 7:00pm. Free (donations direct to the musicians). Joe Steels & Friends.
Sun 26: C.A.L.I.E @ The Globe, Newcastle. 8:00pm. £16.00., £14.00., £7.00.

Mon 27: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 27: House of Blues @ the Globe, Newcastle. 7:00pm. £7.00., £5.00. advance. A student-led jazz session. ‘House of Blues’ is, perhaps, a misnomer.
Mon 27: Littlewood Trio @ Cluny 2, Newcastle. 7:30pm (doors). £10.00 + bf, £7.00. + bf.

Tue 28: Long/Remon/Zilker @ The Black Swan, Newcastle. 7:30pm. Free. Tom Remon plays Irish folk!

Wednesday, July 25, 2012

Record Review from December 22, 1939 Jazz Information magazine

COLEMAN HAWKINS’ Orchestra (SB 10523)
Body And Soul - Fine Dinner.
Tommy Lindsay, Joe Guy trumpets; Earl Hardy, trombone; Jackie Fields, Eustis Moore, alto saxes: Coleman Hawkins, tenor sax; Gene Rodgers, piano; Oscar Smith, bass: Arthur Herbert, drums.
Coleman Hawkins’ second record has been released, and again we are compelled to report that his improvisations on the slow tunes are sterile and meaningless, and his tone on the fast side forced and unpleasant. In reply to Mr. Caughren, who criticized our stand on Hawkins in the December 8 number, we might observe that the point at issue is not the roughness of Hawkins’ tone, but its quality. A tone can be rough - - like Pee Wee Russell’s - without being strained. A good jazz tone on any wind instrument,we insist, must combine force with restraint in some degree of balance. The finest and hottest intonation comes when great power is firmly controlled. When the control slips, you have the kind of tenor Hawkins plays on Fine Dinner. And not only the tone fails, but the phrasing, which becomes stiff and a bit sloppy.
On Body And Soul the trouble is different. No forcing here, and the tone is immensely better, even if a little sentimental. But Hawkins plays almost entirely without inspiration: his variations are mechanically constructed of cliches and without much logic.
Hawkins' talent in his Henderson days was undeniably fine, and we don’t doubt that he can do much better than the new records show. His present band is certainly uninspiring.
Jazz Information December 22, 1939.
Editors note: Jazz Information ran as a weekly magazine from September 1939 to November 1941. It began life in the backroom of the Commodore Music Shop on 52nd St., NYC - the brainchild of former Columbia College students Ralph Gleason, Ralph Toledano, Eugene Williams and Jean Rayburn.
Some years ago an American musician, Joe Shepherd, put all but one issue on line although the site now seems to have vanished. It was a beautiful project that was ahead of its time even though they didn't always get it right as in the above review. - Lance.

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