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Bebop Spoken There

Jimmy Vaughan: "I don't just want to turn out stuff because I'm supposed to. I'm not a plumber. I don't want it to be just a job" - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday July 22

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (See above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, July 19, 2012

Anna Luca and her band, Library Theatre, South Shields, Wednesday July 18.

Anna Luca (vocals/keys); Christian Moorhen (percussion); Johans ? (electric bass guitar)
(Review by Ann Alex.)
This gig was a real bargain at £7.50 per ticket, which included a finger buffet, wine and the company of the Mayor of South Tyneside (Eileen Leask, my cousin, I couldn’t help mentioning that), and also a raffle ticket for an extra £1. The event was in aid of the Mayor’s charities so we were supporting good causes as well. The music was very enjoyable, not really jazz, but mostly sweet-voiced original songs from this very talented singer.
The content and singing style were somewhat reminiscent of Madeleine Peroux or Janis Ian. The guitarist was well skilled and the percussionist was fascinating to watch. It was a cut-down version of the conventional jazz kit, with ethnic instruments added. So we had the large wooden box which the player slaps and beats, and this also doubled as a bass drum. There were bells, shakey eggs, handclapping, and lots of brush work on the cymbals and snare drum. The latter was covered with a tea towel to dampen the sound. And the communication between drummer and singer was superb, presumably because they are married to each other. Nice work if you can get it.
That song was not on the menu, but we were treated to many love songs, such as Beautiful Love (not the Victor Young song from 1931 nor the 2006 song by "The Afters" but an original by Anna); songs about the singer’s fears and experiences, such as Listen and Wait (Anna said she is a person who acts too impulsively); The Harbour; Blue Hour (a beautiful song in German about twilight in Cologne). Promised Land included a delicate piano break and skilled work on the bass drum. Berlin, Berlin gave us an articulate pen picture of that city. We had a version of the Oasis song Wonderwall, with a skilfully adapted tune; Dark Thoughts with a Happy Mind had been written recently since the band had been at South Shields, as part of the exchange with South Shields twin town, Wuppertal, in Germany. The gig ended with an amusing encore, which Anna had written just before she and Christian married, You Can Keep What’s Yours and I Can Keep What’s Mine, about hanging on to your individuality, which seems like good advice.
Ann Alex

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance