Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18317 (and counting) posts since we started blogging 18 years ago. 171 of them this year alone and, so far this month (Feb. 23), 71

From This Moment On ...

February

Fri 27: Joe Steels Group @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT! A Blue Patch album tour.
Fri 27: Alan Barnes w. Mick Shoulder Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Trio: Rick Laughlin (piano); Mick Shoulder (double bass); Tim Johnston (drums).
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 27: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 27: Radio Hito + Eddie Prévost, Silvain Schmid & Tom Wheatley @ Cobalt Studios, Newcastle. 7:00pm (doors). £12.22., £10.10., £8.00.
Fri 27: Giacomo Smith w Strictly Smokin’ Big Band @ The Glasshouse, Gateshead. 8:00pm.
Fri 27: Alan Barnes w. Mick Shoulder Trio @ The Traveller’s Rest, Darlington. 8:00pm. £15.00. Trio: Rick Laughlin (piano); Mick Shoulder (double bass); Tim Johnston (drums).

Sat 28: Boys of Brass @ STACK, Newcastle. 7:00-9:00pm. Free.
Sat 28: Tweed River Jazz Band @ Repas 7 by Night, Berwick-upon-Tweed. 7:30pm.
Sat 28: Ray Stubbs R&B Allstars @ The Black Bull, Blaydon. 8:00pm. Free.

March

Sun 01: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 01: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free Quintet + guest Dan Johnson (tenor sax).
Sun 01: Pete Tanton’s Chet Set @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 01: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 01: Fergus McCreadie & Matt Carmichael @ Yamaha Music School, Blyth. 3:00-4:30pm.
Sun 01: Ruth Lambert Trio @ Juke Shed, North Shields. 3:00pm. Free.
Sun 01: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 01: Littlewood Trio @ The Globe, Newcastle. 8:00pm. £10.00., £8.00. adv., £6.00. 25 & under. Marcus Dawe (piano); Ifedi Osiyemi (bass); Jack Littlewood (drums).

Mon 02: James Birkett & Emma Fisk @ Yamaha Music School, Blyth. 1:00pm.
Mon 02: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 02: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free.

Tue 03: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 03: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Jacob Egglestone (guitar); Paul Grainger (double bass); Bailey Rudd (drums).

Wed 04: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 05: Trumpet quartet @ King’s Hall, Newcastle University. 1:15pm. Free. Quartet inc. Dick Stacey (SSBB). Programme inc. Basie’s Panassié Stomp + Joshua Fought the Battle of Jericho.
Thu 05: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Celebrate - Commonwealth Day.
Thu 05: Flo/ra + Maya Kally @ Cobalt Studios, Newcastle. 7:00pm (doors). £16.45., £13.28., £12.22., £9:04.
Thu 05: Salty Dog @ @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 05: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, July 23, 2012

Montreux Jazz Festival 2012. Triple Bill July 11.

Fourplay:Bob James - Piano, Nathan East - Bass, Chuck Loeb - Guitar, Harvey Mason - Drums.
(Review by Ron Ainsborough).
I recently checked out Fourplay on Spotify and most of it was classed as 'smooth jazz'! But, when you see them live in a festival situation, forget 'smooth jazz', they played the most exciting 'straight-ahead jazz' as good as you're likely to hear. Tight arrangements, musicianship and improvising were out of this world, and the exchanges between all four 'players' were exceptional. Wonderful improvising constantly going on. In other words, I think they are a 'fantastic band' to see live, playing everything you would want to hear at a Jazz Concert.
I didn't catch the titles of the pieces played, although some of them were quite familiar. A great start, and Herbie Hancock on next!

Prior to Hancock's set, he had had the honour of presenting Tony Bennett with a 'peace award' certificate from an 'Arts organisation' of which Hancock, along with Wayne Shorter, he is joint President. Overlooking proceedings from the side of the stage was non other than the great Quincy Jones who also said a few words.
Herbie Hancock and his band: Herbie Hancock (Piano + Kong Kromos sythesizer + Roland AX synth (strap on keyboard in the shape of a guitar)+ Vocoder (which sounds like Stephen Hawkins (to my ear) when Herbie sings into it, and it can also be set to give multi vocal harmonisations) - Lionel Loueke  (Guitar), James Genus (Electric Bass), Trevor Lawrence Jr (Drums).
It's a long time since I've heard any of Herbie Hancock's music so I didn't know what to expect although I was aware he was into electronics. The musicianship was outstanding but I was mistakenly expecting a fair amout of jazz piano, but most of the set was electronic. Even the guitar sounded like a sythesizer at times and I couldn't differenciate between that and Herbie Hancocks synthesizer. Don't get me wrong! I did enjoy quite a lot of his set, and realise that if I had done some research I'd have been more prepared for the electronic onslaught. He did play one extended piano solo, which was great, but spent most of the set playing his strap on keyboard. Hands up, I know I'm the one out of step with his many ardent fans -their was certainly a lot of them in the audience enthusing over, which I did but to a lesser extent.
On a personal note!. When you take your wife, daughter and son-in-law to jazz concerts (who are on the jazz periphery but at the same time like and enjoy the lighter accessible jazz music, eg Sonny Rollins, Chucho Valdes) on your recommendations and this kind of music is played it can, I might add, make the likelihood of them joining me at the next jazz concert somewhat unlikely. As it turned out, they liked being in the Hall savouring the atmosphere of The Festival.
'Sergio Mendes & Brasil 2012' (yes the same man of Brasil 66 fame).
We only saw the first 30 minutes of this set and left at 1.00am because some of us had work in the morning, but the band and singers were really good, the arrangements were excellent ,with lots of anecdotal stories from Sergio Mendes about Jobim and other composers back home in Brasil. It was an extremely enjoyable concert by people at the top of their game giving impeccable renditions of every song they sang/played. 
The following is meant as a compliment, as it would be fare to say that, 'Sergio Mendes & Brasil 2012'  -''it does what it says on the tin'', they were so professional,and obviously The Girl From Ipanema was sung together with lots of other delightful music. First class band! well worth seeing any time.
I also had the good fortune to go on a 'Brazil Music Jazz Boat' (Sat. 7th July,afternoon) sailing around the lake for 3 hours, it had two 6 or 7 piece bands actually from Brazil, playing two one and a half hour sets, but unfortunately I was unable to find out what they were called, but the standard of musicianship and singing was brilliant although it is difficult to understand the lyrics when it is all sung in Portuguese, but a fantasticly enjoyable experience  for us all just the same.
The Montreux Jazz Festival is in its 46th year (Herbie Hancock was making his 26th concert this year), and if possible I will certainly try to go again next year. It's  a fantastic experience!
Ron Ainborough 

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