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Bebop Spoken There

Gil Goldstein: "The first three days I was in Florida, I heard Jaco Pastorius play at a club in Fort Lauderdale, and then I heard Pat [Metheny] play in a class on jazz composition. My whole experience of the world changed in those three days." - (DownBeat, March 2020).
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Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

Today Tuesday February 25

Afternoon

Jazz

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3677. 1:00pm. Free.

Evening

Jam session - Black Swan Bar, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 222 9882. 8:00pm. House trio: Dean Stockdale, Paul Grainger, Rob Walker.

A Roaring 20s Social - Durham Students' Union, Dunelm House, New Elvet, Durham DH1 3AN. 7:30pm. £12.00.,£10.00. Music student, £8.00. DUJS member. A Durham University Jazz Society event. Open to all.

Blues/Soul/Folk etc.

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, April 25, 2012

We Free Kings - Schmazz @ The Cluny. April 24

Toby Greenwood (tenor saxophone), Mark Chandler (trumpet & flugelhorn), Jamil Sheriff (keyboards), Richard Hammond (double bass) & Dave Walsh (drums).

(Review by Russell).
I made a bee line for Cluny 2, the Head of Steam’s subterranean annexe. We Free Kings were about to offer up gifts. Arriving in the nick of time, descending the staircase it was eerily quiet. I opened the door into pitch dark silence. Now I know Schmazz is struggling for funds but surely the gig hadn’t been cancelled at the eleventh hour? Perhaps such huge numbers had turned up to bade farewell to Schmazz that there was a last minute switch to the main venue upstairs. I wandered up to the main place and sure enough there was the regular band of Schmazz diehards. It wasn’t heaving it was just the regulars. An ‘admin error’ had listed the gig as being in the other space. So, it was to be service as usual – young, new, original, innovative and ‘interesting’. Well, well, well. What do know?
This was a jazz gig! Jazz at the Cluny! Surely not? We Free Kings, led by tenor player Toby Greenwood, played it mid-sixties Miles with occasional excursions; Blue Note, a fleeting sketch of a Rollins’ calypso, a fragment of Township jazz and a large measure of Dolphy (Funny Looking Fish). The quintet didn’t need to show off, they were cool, no blistering full on assault from these guys. This was the Paul Edis Sextet with an edge to it, just a little bit of attitude. Jamil Sheriff plays electric piano as it should be played; tone, volume and style spot-on. Greenwood’s frontline partner Mark Chandler was a revelation. He played a lot of flugel. He played it beautifully. Think Noel Dennis, Graham Hardy, Steve Waterman and you get an idea of where he’s at. The pairing of bassist Richard Hammond (commendably restrained) and drummer Dave Walsh (he’s a class act having been around the block a few times) were first class and very much part of the group sound. Greenwood’s tunes held the attention, frequently hinting at the oh so familiar, but then in a trice it was gone. Tree Frog, the gospel feel of A Child’s Place, Ten Tins, the aforementioned Funny Looking Fish and PPP were just some of the numbers from the pen of the talented tenor man. The latter tune had a tale to tell and Greenwood did so engagingly with no little mirth. PPP was otherwise known by the band as Pissed People Eating Pizza but recently has become known as Posh People Eating Pasties (much hilarity on stage that it should be ‘Parsties’). Wye aye man, a canny gig.
Russell.

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