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Bebop Spoken There

George Wein: "He [Chick Corea] said, 'George, you keep playing. It's good for you'" - (DownBeat April 2021).

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,073 (and counting) posts since we started blogging 13 years ago. 492 of them this year alone and, so far, 47 this month (April 9).

Bar Manager Required

The Jazz Co-op are looking for an experienced bar manager who can be available to start when The Globe reopens in May.

Preference will be given to a suitably qualified person who lives relatively near to The Globe, 11 Railway St., Newcastle NE4 7AD.

Interested parties please follow this link.

Coming soon ...

April 29: Vieux Carré Jazzmen are back at The Holystone.

May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 2: Vieux Carré Jazzmen are back at Cullercoats Crescent Club.
June 7: Jazz in the Afternoon are back at Cullercoats Crescent Club.

Saturday, April 07, 2012

Jay Phelps Big Band @ The Sage.

Jay Phelps (tpt); Jack Jones (ten); John Turville (pno); Richard Shepherd (bs); Matt Home (dms) were just some of the names I caught of this 17 piece band. If anyone has the full line-up please let me know.
It was John Turville who kicked things off with the lengthy piano intro to Basie's The Kid From Red Bank. I can't say I'd ever imagined Turville playing Basie but he did and very effectively too.
More Basie with Shiny Stockings followed by a Phelps original - Jay Walking. Not surprisingly the composer featured himself on this one. Straight ahead bop bugle unlike the firebrand that was Phelps in his Empirical days. Jack Jones remained seated for his tenor solo as did most of the soloists until the later stages.
Next up was Clare Teal who gave a scintillating performance (see separate review).
After Ms Teal departed the spotlight returned to the band with Ray's Idea and Duke's Such Sweet Thunder. The latter saw Phelps make effective use of the plunger in true Ellingtonian fashion.
The concise opinion during the interval was that the band was very tight albeit somewhat polite.
This all changed in the second set!
A suite by the leader - Movement For The Modern Artist. comprised four sections - My Love; My Soul Endeavour; My Uncertainty; My Gift.
A discordant intro that made some of Mingus' more outré works sound like In A Monastery Garden told us we were in more contemporary waters.
Politeness is abandoned although there are mellow moments as well as swinging dissonance. Baritone and alto do some scorching whilst Phelps holds it all together playing and directing. Superb rhythm section - great band. No disrespect to Shiny Stockings but this is what the more forward thinkers amongst us came to hear.
Ms. Teal returned and every man (and woman) had a few choruses on the final I Just Want To Make Love To You.
A good concert that deserved to have had wider appeal.
Lance.

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