Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18395 (and counting) posts since we started blogging 18 years ago. 259 of them this year alone and, so far this month (Mar. 30 ), 69

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

March

Tue 31: Bede Trio @ The Black Swan, Newcastle. 7:30pm. Free. Albert Hills Wright (alto sax); Finn Carter (piano); Michael Dunlop (double bass).

April

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Musicians playing classical & orchestral music.
Thu 02: The Noel Dennis Band @ Prohibition Bar, Albert Road, Middlesbrough TS1 2RU. 7:00pm (doors). £10.84. Quartet plus special guest Zoë Gilby. Over 21s only.
Thu 02: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Thu 02: Shalala @ The Globe, Newcastle. 8:00pm. £7.00. adv..
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: King Bees @ Billy Bootleggers, Newcastle. 7:00pm (doors). Free. Chicago blues.

Monday, March 28, 2011

CD Review - "Emily Remembered" - Deirdre Cartwright and Kathy Dyson.

It would be unfair to describe the late Emily Remler as a great woman guitarist - she was a great guitarist irrespective of gender. Likewise, Deirdre Cartwright and Kathy Dyson are also great guitarists and there can be few more fitted to paying tribute to Emily who died at the tragically early age of 32.
Those of us who heard the duo Remembering Emily at the Side Café, Newcastle, back in 2009 will want this CD. Much of the music heard that night is re-created on the disc and, if anything, time has honed it to perfection.
As this is only the second time I've heard the duo I can't identify who does what but who/whatever they both do it effectively.
The music is a balanced mix of standards and originals all related in various ways to Inspiration Emily.
In particular I liked Afro Blue/Sonnet For Emily. This is Santamaria's classic played beneath a poem by Sarah P who emotively delivers a eulogic stanza to Emily whilst D and K play Emily's original arrangement. The love, the feeling filter through. It's delicate and refined - it's impeccable. Qualities people (like myself) love and others hate.
Music needs tenderness as much as aggression and this is tenderness personified - I can't stop playing it. The perfect antidote to much that passes as jazz these days!
Lance.
Emily Remembered by Deirdre Cartwright and Kathy Dyson available here.

1 comment :

Dominic Rivron said...

Sadly, the music scene in Newcastle is one I don't know well, but
"Music needs tenderness as much as aggression..." Thanks for that - it'll be my thought for the day. It's easy for musicians to "get into a groove" and stay there when in fact the whole point is to explore a whole range of expression.

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