Total Pageviews

Bebop Spoken There

Jackie Paris: "A singer's got to be able to tell a story. Frank Sinatra and Nat Cole are best at that; Mel Tormé too. I like to take a lyric that means something and sing it right to the person it was meant for." - (DownBeat October 11, 1962).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday September 16

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, February 21, 2011

Paul Edis Sextet @ The Bridge. Sunday 20th February

Paul Edis (keyboards), Mick Shoulder (double bass), Adam Sinclair (drums), Graeme Wilson (tenor saxophone), Graham Hardy (trumpet & flugelhorn) & Chris Hibbard (trombone). The opening bars of Put a Lid On It were pure TS Monk.
This was going to be one of those nights.
Softly, As In a Morning Sunrise (arr.M.Shoulder) featured mature solos from Graeme Wilson and bassist (and arranger) Mick Shoulder. Folk Tune and Sharp 9/8 highlighted the front line's beautiful harmonic interplay (of brass band standard and that's a compliment). A Paul Edis composition - Administrate This - had a shuffle quality similar to R.Veitch's Job Shufflebottom with trumpeter Graham Hardy blowing the roof off leaving 'bone man Chris Hibbard to repair the damage.
Band leader Edis took the honours on Dorian Gray and was that possibly a fleeting reference in the coda to A Love Supreme? A favourite composer of Edis is Donald Brown so Being With You was given an outing as was Bud Powell's Un Poco Loco (arr.G.Wilson). An ambitious suite, nominally titled Three Piece Suite, from the pen of Edis, was given its premiere at Splinter @ The Bridge last year. A year on and we heard part three of the work now known as Elegy. Edis said it has an elegiac quality. Quite so, with excellent flugel from Hardy.
The last number of the night was another Edis tune - Blues For Dad - full of bop phrases, solos from Edis, Wilson, a round of fours with the highly inventive Adam Sinclair and Hardy on trumpet seeing it home. Cue vociferous applause Encore won, we got Graham Wilson's Up Late. This was a great jazz gig; great writing, great playing, great band.

No comments :

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance