Total Pageviews

Bebop Spoken There

Jackie Paris: "A singer's got to be able to tell a story. Frank Sinatra and Nat Cole are best at that; Mel Tormé too. I like to take a lyric that means something and sing it right to the person it was meant for." - (DownBeat October 11, 1962).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday September 16

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, February 26, 2011

I WENT TO CHURCH ON FRIDAY – TO HEAR THE JAZZ RASCALS

Jazz fans who weren’t at the Unitarian Church in Newcastle on Friday evening to hear Elaine Binney and the Jazz Rascals have missed an absolute treat. I wasn’t sure whether to pray or hum a tune as I entered the elegant early 20th century church (a listed building), but, along with about 80 other fans, I soon forgot about all that as this live album recording kicked off with Take 5. Guitar, drums and bass played rhythmically, punctuated by strong cuts across from Elaine’s violin to start this number. Elaine explained that this band was different; they relied more on melody rather than improvisation. All I can say is that what they did was really good to listen to, and exciting, with more improvisation than Elaine had suggested. Classically trained Elaine, very much the leader of the band, looked smart in black trousers and waistcoat, white blouse, and black and white trailing belt. The violin wore a matching long black and white streamer, very cool. Elaine gave us lively chat between numbers, mostly to exhort us to pre-order the album! Peter on guitar sang wonderfully freely on 4 of the pieces; the original Swan Like; Autumn Leaves; Stormy Weather (this version had effectively simplified words); and a very tender version of You Are So Beautiful. The band’s other original numbers were Jokers and Kings; Treaty of Trianon and January Blue. There was a very strong melodic feel, but with enough improvisation to add interest, four very capable musicians, led by the violin which was luscious, or tricky or jagged as necessary. Other standard items were Summertime; and Work Song; which was dedicated to all the nine to five workers.
After the actual recording ended, the band decided that we should have some relaxing fun, which we did with a lively upbeat version of Ain’t Misbehavin, with lovely call and response between the violin and the rest of the band. If I had a complaint it would be that I’d have liked numbers to last longer with longer solos, but I suppose this was due to the constraints of recording. There is to be a full concert when the album is released later in the year – I can’t wait! Ann Alex.

2 comments :

Lance said...

...and not forgetting bass and drums who were right on the money...

Richard said...

I was there and have to say it was brilliant. I thought Elaine was excellent, but special mention must also be made for the band who were all exceptional. Big up the rascals and much love to J Bizzle, some killer fills and solos!

Rich...

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance