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Bebop Spoken There

YolanDa Brown: "Ron Dennis (former McLaren Formula 1 chairman) introduced me as 'the Lewis Hamilton of the jazz world'. I thought, 'I'll take that'." - (i newspaper July 17, 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Saturday July 20

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (See above).

Streets of Brass - Durham city centre. DH1. 11:00am-5:00pm. Free. A Durham Brass Festival event (see above).

Blues Guitar Workshop w Alvin Youngblood Hart - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 11:30am. £10.80.

Northern Monkey Brass Band - Northern Pride, Claremont Road, Newcastle NE2 4PZ. 12 noon. Free.

A Concert for Margaret Barnes - Lit & Phil, Westgate Road, Newcastle NE1 1SE. Tel: 0191 232 0192. £10.00. (£12.00. day ticket). JNE. Afternoon session (doors 1:00pm) line-up: Debra Milne & Steve Glendinning 1:30pm, Paul Edis & Graham Hardy 2:20pm, Hand to Mouth 3:25pm, Thomas Dixon Band 4:15pm.

Strictly Smokin' Party Band - Stack, Pilgrim St., Newcastle NE1 6QE. 5:30pm. Free. Eight piece band.

Country Blues etc.

Summertyne Americana - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. Various free outdoor shows and outstanding headliners check out here,

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Evening

A Concert for Margaret Barnes - Lit & Phil, Westgate Road, Newcastle NE1 1SE. Tel: 0191 232 0192. 6:00pm. £10.00. (£12.00. day ticket). JNE. Evening session (doors 5:45pm) line-up: Paul Taylor & the Long Lonesome Go 6:00pm, Bradley Johnston Trio 7:05pm, Duo FCT 8:10pm, Zoë Gilby Quartet 9:00pm.

Big Brass Party - Wharton Park, Durham DH1 4FJ. 6:00-9:00pm. Free. A Durham Brass Festival event (see centre column).

Blues/Funk/Soul

Half Hand Hoodoo - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, February 27, 2011

Ossie Riani by Peter Riani

My dad was a strange animal indeed. In the late 90’s I put my beloved Fender Rhodes up for sale in the yellow ads paper for £800 and a guy called Sam rang me to make an offer on it but when he found out I was a Riani, such was notoriety of my dad, he asked if I was related to ‘The’ Ossie Riani. I said that I was and he told me the following tale about Desi Lumsden and my dad. It was probably in all likleyhood down at the Shoreline in South Shields (I'm guessing). Anyway, Ossie is playing organ and a bombastic boastful amateur saxophone act turns up to play popular tunes of the day along with the easyplay solo arrangement. Ossie amd Desi offer to do an improvised backing because they both happen to have their MK VI’s with them. Ossie says when I give you the nod you do a solo and when your done lean back and give us a wink and then we’ll give it a go. The guy agrees and imagines how good this will make him look with his own backing musicians on stage. The number starts and Ossie and Desi provide flawless backing as the guy plays the lead and when he gets the nod from Ossie he drops into his basic impro routine. Thinking that he’s pulled a scorcher he winks at the two pros magnanimously and they respond rather unkindly by blasting him off stage with some phenomenal musicianship and corking bebop. The guy starts dismantling his sax on stage while they are still riffing off of each other and has it packed away and is off the stage before the number is up. That story put me off selling the Rhodes, but I still can’t (nor will ever) be able to play it like my dad. Another tale I remember was when he was playing at the Southwick Social Club in Sunderland in the early 70’s. He told us that they had had a belter of a gig and really blasted the Hammond. So much so that it over heated and as is wont to do when so much dust and detritus covers the valves' transformers as it heats up, ignites. There were large flames licking and pouring out the back and my dad played on oblivious because he was reading a score. Bobby Carr noticed first and they ripped the back off the Hammond and were hitting it with beer towels which was making it worse. Ossie played on until someone unplugged the organ. The audience cheered thinking that this was all part of the act. The fire was put out eventually. I can’t remember whether the Hammond was salvageable or not but I do remember my dad saying that someone (probably Joe Greener) was going to throw my dads pint over the flames. Ossie was indignant, not because of the damage it would have done to the Hammond, but because it would have been “a waste of a perfectly good pint”!
Yes saying he was a character is a kind of understatement. I remember Ray playing Laura at his funeral. It was a well cool moment and very touching thanks Ray.
(Original post). Peter Riani.

1 comment :

Lance said...

Thanks Peter - too good to post as a mere comment!

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance