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Bebop Spoken There

YolanDa Brown: "Ron Dennis (former McLaren Formula 1 chairman) introduced me as 'the Lewis Hamilton of the jazz world'. I thought, 'I'll take that'." - (i newspaper July 17, 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Friday July 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. See above.

John Settle’s Vibe-ology - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

New Orleans Swamp Donkeys - Ernest, Boyd Street, Newcastle NE1 2AP. Tel: 0191 260 5216. 5:00pm. Free.

Blues/Country/Folk

Summertyne Americana - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. Struggle Buggy 2:00-2:45pm., Shipcote & Friends 3:00-3:45pm. Free. Jumpin’ Hot Club stage.

Evening.

Riviera Quartet - Traveller’s Rest, West Auckland Road, Cockerton, Darlington DL3 9ER. 8:00pm. (7:30pm doors). £8.00.

New Orleans Swamp Donkeys - Cobalt Studios, Boyd St., Newcastle NE2 1AP. Tel: 0191 232 3553. 8:00pm. £5.00. (£4.00. adv). Top class band from New Orleans.

Baghdaddies - Cumberland Arms, James Place Street, Newcastle NE6 1LD. Tel: 0191 265 6151. 8:30-9:30pm.

Global BRASS @ Gala Theatre, Millennium Place, Durham DH1 1WA. Tel: 0300 266 600. 7:30pm. £15.00. (£12.00. concs.). Joint concert featuring two bands 560 miles apart - NASUWT Riverside Band (Chester le Street) & Concord Brass Band (Copenhagen). A Durham Brass Festival event.

Haftor Medbøe & Will of the People Quartet: Global Brass Jam - Live - Gala Theatre, Millennium Place, Durham DH1 1WA. 10:30pm. £10.00. (£8.00. concs.). Pan-European jam session. Will of the People Quartet line-up: Haftør Medboe (saxophones); Pete Furniss (clarinets); Jacob Karlzon (piano); Tom Bancroft (drums). A Durham Brass Festival event.

Blues/Soul/Funk/Country

Sold out!

k.d.lang - Summertyne Americana Festival, Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 7:30pm.

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The Hookahs - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, February 11, 2011

A History of Jazz in Newcastle by John Pearce.

Alan Rudd sent me this article by the late John Pearce detailing Jazz in Newcastle up to about 1962. It's from The Journal Weekend Magazine.
A History of Jazz in Newcastle by John Pearce. 
Newcastle in the flapper era was like any other large city. The cloche hat, the Oxford bags, the Charleston, were rampant, and all were symptoms of a country attempting to throw off the mantle of wartime austerity and gloom. When the Original Dixieland Jazz Band appeared in London in 1921, they were a symbol of the Gay Twenties. The O.D.J.B. travelled North for a month's stay at the Oxford Galleries, and so jazz came to Newcastle. The year 1934 is important in New­castle's jazz history. Dick Kelly and a friend, students at King's College, per­suaded the management of the Oxford Galleries to let them hire a room. Thus was founded the Newcastle Rhythm Club, official number 57. After the war, the N.R.C. took up the reins again in premises in Ridley Place. The N.R.C. had several meeting places., the Bridge End Hotel; the Roma Cafe, in the Bigg Market (1949), where Stan Wilde and his Wildcats were resident; and the Crow's Nest Hotel (1952). Stan Wilde's band split up, and the Panama Jazzmen were formed by pianist Norman Rudd. He recruited Stan Martin (clarinet) and Ronnie MacLean (trombone) from the Wildcats, and added Joe McMullen (cornet) and Teddy Hutchinson (drums). At the same time, Hughie Aitchison formed his Benecia Jazz Band, which later became the Cellarmen. Early 1954 saw the opening of two new jazz clubs, the Alexandra, in Heaton, with the Clem Avery Jazzmen in residence, and the Pelican Club, in the News Theatre. In 1954, the N.R.C. moved first into King's Restaurant, in Northumberland Street, then to the Mahogany Hall, in the Royal Arcade. where it also changed its name to the Newcastle Jazz Club. The featured bands were the Panama, the Cellarmen, and the Clem Avery Jazzmen. When Clem left the band, it was taken over by the banjoist John Young, who, at the same time, assumed the name "Mighty Joe." It was about this time that King's College made its mark on the Newcastle jazz scene. In 1955, some good modern jazz was being played by a college group which included Don Armstrong (clarinet and tenor) and the Carr brothers, Mike and Ian (of whom more later). The next year saw the formation of the Quaysiders by clarinetist Peter Smailes; in 1957, the College Kings were launched by P e t e r McLoughlin (clarinet) and in 1958, Bill Croft formed his Blue Star Jazzmen. Later, the Wednesday night was opened by the Clem Avery Jazzmen, and eventually a third night, Thursday, was taken up by the College Kings. The College Kings evolved into the Commodore Jazzmen, led by myself (trumpet), with John Crone at the piano. In early 1955, banjoist Peter Deuchar formed the Vieux Carre Jazzmen, with Peter Gascoigne (trumpet), John Saxelby (clarinet), and Jim Stewart (drums). They were resident at the Club Martinique, also in the Royal Arcade. After about 18 months, the club moved to premises in St. James Street, and eventually to Melbourne Street, where it was renamed the New Orleans Club, with the Vieux Carre Jazzmen resident on Fridays and Sundays. The Mighty Joe Young Jazzmen, who later changed from New Orleans to Mainstream, started a Saturday night residency at the club. Gradually, every night of the week was taken up by different bands. For once, the vagaries of Services' postings benefited jazz. In 1959, L.A.C. Malcolm Cecil was posted to the North­-East, where he met Mike Carr. With Mike Jeffrey and two associates, they opened the Downbeat Jazz Club, where the now famous EmCee 5 first played. Early 1960 found the River City Jazz­men playing Saturday nights at the Downbeat. This band included Jack "Dad" Potts (trumpet) and Ray Shenton (tuba). Later that year, Bill Croft's Blue Star Jazzmen, with John Walters (trumpet) and Jeff Robinson (drums), began the Thursday night session, changing later to Friday night, to share the bill with the Kansas City 5, with Eric Burdon. John Pearce circa 1960.

10 comments :

Ian Huntly said...

I was a regular at The Newcastle Jazz Club in the 50s and 60s and was a great fan of Ronnie Robinson (Clarinet) - When I used to walk in he would play Sweet Lorraine.

The Club closed down and the area was razed to the ground. We had a "funeral" parade across the city to commemorate the loss of the club and it was a memorable day since I played my clarinet next to Ronnie.

The club was excellent.

Anonymous said...

Ronny was my Dad

Nick Telfer said...

I would be very interested to hear any recording of John Saxelby. I have a theory which at present I'm keeping to myself. I was a frequent visitor to Melbourne Street when Ronnie was playing there. Incidentally somewhere or other I have a recording of Eric Burdon singing "In The Evening" with the Mike Carr Five recorded in Blyth by Morton Sounds

Ian Huntly said...

Has there ever been a special commemoration of the Melbourne Street Jazz Club......I am at an age now that I sit and reminisce about days gone by....One of my happiest memories was being a regular at the club.-------Happy days...

Lance said...

Melbourne St., Nelson St., Royal Arcade, Forth Banks, Carliol Square - so many venues all worthy of Blue(s) Plaques. Someone needs to write the definitive study of Jazz in Newcastle. The late Chris Yates did a fantastic job with his Blue Horizons but it still left work to be done from earlier years and, as the vines drop from the trees, it needs to be sooner than later and, before you say how about you? this site takes up 24/7 of my time - I do know a man...

Anonymous said...

try and find a copy of sex, brown ale and rhythm and blues (the life that gave birth to the animals
) by george pearson. also remake remodel, roxy music 52 to 72 talks indepth at the start about jazz in newcastle in the late 50s. both great reads. stu, forest hall

Lance said...

I've got the Pearson book which is a really good read - an interesting mix of fact and fiction. I'm unfamiliar with the Roxy Music book but will look out for it. Another good one is Eric Burdon's "I Used to be an Animal But I'm Alright Now"

Russell said...

A new book is about to be published on the life and times of Eric Burdon covering his early years to his long-time exile in California. . Philip J Payne's 'Eric Burdon: Rebel Without a Pause' (Tyne Bridge Publishing) will be available in Newcastle City libraries and other selected outlets from November 1.. £7.50., 52 pages with 40 images.

Unknown said...

My dad, Joe Shepherd, played jazz trombone at the Newcastle New Orleans Jazz Club around 1960. Does anyone remember hearing about him?

Anonymous said...

Hi all. My name is Mark I run Walden Records in Saffron Walden 2nd hand Record shop. I recently discovered a photograph album of Jazz musicians, bands playing live which are from the Newcastle area, I would say 1950s, King'c College Jazz Club etc. Please contact my via email koolkatz1@btinternet.com or search for walden records on Facebook. Many thanks. Mark.

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance