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Bebop Spoken There

Bill Reglein (JJ Babbitt m/pieces): "We made this mouthpiece for Eddie Harris. He played tenor sax and trumpet. He played in some pretty rough bars. The story goes that he was afraid he'd get in a fight and get his teeth knocked out. He figured that if even that happened he could still play tenor. So, the request came in, 'Can I get a reed mouthpiece for my trumpet?' the company made exactly one." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday September 22

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon.

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1:00pm. Free.

Sunday Jazz in the Crypt - Middlesbrough Town Hall, Albert Road, Middlesbrough TS1 2QJ. Tel: 01642 729729. 2:00-6:00pm. £12.00. + bf. Line-up: Noel Dennis Trio + Emma Johnson’s Gravy Boat + Anthony Strong.

More Jam - The Globe, Railway St., Newcastle NE4 7AD. 3:00pm. Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Somethin' Blue Trio - The Pennyweight, Bakehouse Hill, Darlington DL1 5QA. Tel: 01325 468411. 5:00-7:00pm. Free.

Blues/Funk/Soul

Memphis Cruisers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Evening

Jazz

Alexys de Alfaro - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Paper Moon Trio - The Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm. Free.

Fabled - Bridge Hotel, Castle Garth, Newcastle NE1 1RQ. Tel: 0191 232 6400. 8:00pm. £8.00. & £6.00. JNE.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, February 18, 2011

Alister Spence Trio w. Raymond MacDonald @ The Lit and Phil, Newcastle.

Alister Spence (pno), Joe Williamson (pno), Raymond MacDonald (alt/sop), Chris Cantilo (dms).
I hold my hand up and confess - not for me. I'm in the minority - the audience applauds vociferously, CD's are bought and the Lit and Phil is surely delighted that this, their first concert collaboration with Jazz North East, meets with such a good response.
However, the music values that I hold dear are absent and, although there are moments that grab me, all too soon they disinteregate and disappeared off into jazz's hinterlands.
So, as the parade has passed me by, on this occasion I'll invite Russell, George M, Wes, or whoever cares to, to give a more reasoned, knowing, view on the gig.
This isn't a reflection on the music - it's self-criticism.
Lance.
NB: Do like the new JNE banner.

2 comments :

russell said...

I think I concur with the general thrust of your argument. There was some blistering playing but, perhaps as the photograph suggests, something was absent.

Russell

George Milburn said...

It wasn't easy for me to lever myself out on Friday having, like poor Russell, the head-cold from hell. Add to this my reaction to Alister's performance at The Cluny last year which didn't really move me, so I impressed myself that I GOT to the Lit n Phil. Of course I knew how much Chris Calver had riding on this 1st jazz gig and wanted to show my support, not to mention that I won Alister's FIT album in the raffle at the Dr Chad gig last year.
Nevertheless, I enjoyed it. Why?
I sat as close to the drum kit as HSE guidelines recommend, finding Chris Cantillo's percussion flea circus absolutely compelling. I handed him a butterfly nut that had fallen off the bass drum - he nodded and added it to the array of prayer bells on the snare drum - ting!
Then there was the inimitable Raymond MacDonald, who stepped forward from under the portrait of Gene Hackman's grandad with Babaresque determination and stance to match - his blend of circular breathing chromatics and contrasting lyrical phrasing had the cobra of my interest well and truly charmed!
Joe Williamson's devotion to his bass gut strings - plucked and bowed - combined with his Joe 90 specs also had me enthralled - cool but essential in his improvisational technique.
In all honesty I think we have Alister to thank for bringing these 3 together and providing the string percussion. He's a bloody good piano player but he's Legion - now Keith Jarrett, now Cecil Taylor, now Keith Tippett - for me he needs to come out, on his OWN side!
As a jazz venue, the room was brightly incongruous with the ghostly portraits of the Lit & Phil's literati looking disapprovingly down. Raymond's swaying Soprano sax however turned the one red spotlight by the piano into my own personal disco strobe, which added to the surreality of the happening.
Let's face it, I haven't really forgiven Alister for not knowing who Peter Sculthorpe is!

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance