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Bebop Spoken There

J.D.Considine: "By now, jazz fans have come to expect marvels from Maria Schneider, but the scale and magnificence of Data Lords is exceptional even for her." - (Jazz Times January/February 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

Thursday February 25

HAPPY BIRTHDAY EDDIE BELLIS

Postage

12,535 (and counting) posts since we started blogging 12 years ago. 254 of them this year alone and, so far, 105 this month (Feb. 24).

Sunday, November 28, 2010

Soul Brothers - Ray Charles/Milt Jackson

Ray Charles (pno, alt); Milt Jackson (vbs, pno, gtr); Billy Mitchell (ten); Skeeter Best (gtr); Oscar Pettiford (bs); Connie Kay (dms) - 1957.
I stumbled onto this little gem via Spotify and it served to emphasise my view that the 1950s were Jazz's Golden Era. I say this because, although I remember it being issued on Atlantic, at the time there was so much good stuff around I somehow never got around to checking it out and the reviewers in Jazz Journal and Jazz Monthly both dammed it with faint praise...
My loss - until now!
No vocals from Charles but he plays some blistering alto sax on How Long Blues as well as blues tinged modern piano on the other tracks. Milt also plays piano - as well as guitar on How Long Blues and Milt's Guitar Blues.
However, as expected, it's his vibes playing that scores - away from the MJQ his roots were as down home as Ray Charles'.
Billy Mitchell blows powerful tenor which, coupled with Best and Pettiford's contributions, go to make this an album well worth picking up on.
Lance.

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