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Bebop Spoken There

Poncho Sanchez: "When I perform it's my life story." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Thursday September 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Alexito & Loco Machine - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Jeremy McMurray & the Pocket Jazz Orchestra - Arc, Dovecot St., Stockton on Tees TS18 1LL. Tel: 01642 525199. 7:00pm. £12.00. + £0.10. bf. ‘Jazz & Tapas’ (booking essential). Guest: Alice Grace.

Bradley Johnston Quartet - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £8.00. (£4.00. student).

Sudden Jazz Quintet - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. Free (donations).

Eclectic - Tees Hot Club, Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9:00pm. Free. Rick Laughlin (keys); Alan Thompson, Dan Johnson, Sue Ferris, Josh Bentham (saxes); Ian Halford (drums).

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NA. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

Blues/Soul/Funk

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, November 30, 2010

Brubecks Play Brubeck @ The Sage, Gateshead

Dave O'Higgins (ten/sop); Darius Brubeck (pno); Chris Brubeck (bs.gtr/tmb); Dan Brubeck (dms). The 'Winter Wonderland' - not! continued and it was with wellies, Barbour jacket and Beanie hat that I made my precarious journey in the direction of the Metro to Gateshead. I was only half joking when I said, as I left, "I may be a little while". The weather had depleted audience numbers more than somewhat yet those hardy souls who turned out were rewarded with an evening of many pleasures. Blue Rondo a la Turk got things moving although it wasn't until they hit the 4/4 section that it moved jazzwise. This was the opening round with the protagonists feeling each other out getting their measure before bursting forth. Darius' solo reminded me of just how much his dad contributed to the locked hand block chord style associated with Buckner and Shearing - Darius too. In Your Own Sweet Way is a ballad worthy of repetition and Darius said it was the most covered version of all Dave's tunes. and so it should be - melodically perfect, harmonically correct. On tenor, Dave (O'Higgins) kept the faith without losing out in comparision to the original. Nomad. Dave Brubeck, it is said, heard this melody being played by a flute-player on a camel outside his hotel room in Kabul! Did the guy get royalties? Dave O'Higgins blew atmospheric soprano and swung like no flute-playing camel jockey ever did! Dance of the Shadows and The Lion in the Bar were a couple of originals by the boys. Chris and Dan did the former - a piece full of intriguing intervals whilst the latter, by Darius, was a rockier, rollier number that brought the first set to a close. Drinks in the bar and all seemed to agree it had been a good set. The second set saw It's A Raggy Waltz - my personal fave of the 'pops' - Strange Meadowlark with Chris on trombone - a full, rich, Urbie Green-like sound - in duo with Darius. The Golden Horn and Koto's Song followed with the inevitable Take Five to close during which Darius managed to work Winter Wonderland into his solo - a minor keyed WW at that! and, of course, for an encore - Unsquare Dance.
Dave O'Higgins held his own, Darius is more restrained than his father which can be a good thing or a bad thing according to taste! Chris did the business on bass and Dan has got the Joe Morello feel to the numbers.
I went home happy and even though I fell on the ice it was only the ice that broke!
Lance.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance