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Bebop Spoken There

Aubrey Logan: "My relationship with the audience is the most fun I can legally have!" - (Ronnie Scott's Jazz Club January/February 2020)

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Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Today Thursday January 23

Afternoon.

Jazz

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Blues, Soul, Funk etc.

?????

Evening

Jazz

Swing Tyne Stomp - Hoochie Coochie, Pilgrim St., Newcastle NE1 6SF. Tel: 0191 222 0130. 7:00pm (free). Swing dance event, non-dancers welcome.

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NJ. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm.

Tees Hot Club w. Jeremy McMurray (keys); Josh Bentham (alto sax); Dan Johnson (tenor sax) - Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9:00pm. Free.

Blues/Soul/Funk/Etc.

Mo Scott Band - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £6.00. (£3.00. student).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, November 17, 2010

Norma Winstone Trio/Charles Lloyd Quartet @ The Barbican

Norma Winstone (vcl), Klaus Gesing (bs clt/sop), Glauco Venier (pno).
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Charles Lloyd (ten), Jason Moran (pno), Reuben Rogers (bs), Eric Harland (dms).
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I don't think I've heard Norma to such advantage. Her sound, her pitching, the timbre of the voice was as near to perfection as anything I've heard from her yet. This wasn't happy music - it was dark and sombre, not like the blues, more related to a Gothic poet such as Keats or Shelley. The voice filled the vast chasm it created beautifully. Alongside, the bass clarinet added it's own portent of doom whilst the piano provided haunting support.
Even the popular song Everybody's Talkin' took on a completely new identity.
This really was something else.
During the interval the queue for the CD that provided the material - Stories Yet To Tell - stretched to the coast (a slight exageration I admit) and the trio happily signed copies until the bell went for Round Two.
After Norma's set and Piero Odorici's tenor playing last night, Charles Lloyd faced a bar that was almost impossibly high and in my eyes at least he failed to clear it.
The sound was pure but so it should be for a guy who plays so many long notes! Not that there was anything wrong with his playing but each number seemed to drag on for an eternity before anything happened.
I Fall In Love Too Easily was the exception. This was a masterpiece beginning soft and mellow building up to a frenetic climax from Lloyd before Moran took over and upped the tempo. Wow!
If only there had been more like it. As the night drew on I began looking at my watch more frequently mentally calculating whether I could catch the last set at The Spice.
In the end I decided to go for it.
Earlier, on the Freestage, I enjoyed listening to the Kairos 4Tet (pict right) in the company of the Good Doctor Nicola, The 'Pres' of Chile Claude and ex-pat Ben Gilbert.
Despite my reservations it was a good evening much appreciated by the crowd.
Why don't all jazz gigs pull such large numbers?
Lance.

1 comment :

. said...

But but but.. quality, not necessarily quantity. Jazz (don't you just love her?) is private, intimate, intelligent, personal dialogue between individual and 'her'. In a crowded room one can easily shut out everything and focus solely on that out of this world dialogue. I wish I was there.