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Bebop Spoken There

James Carter: "We played around with 'Nuages' and FUNKED it up, basically." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Tuesday August 20

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Will Earl - Band Room, Music Studios, Newcastle University NE1 7RU. 12 noon. Free. Earl (drums) Postgraduate Recital. ‘Solo and groove: innovation in contemporary drumming practices’.

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Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 12:00pm - 2:00pm. Free.

NOTE EARLIER TIME THIS WEEK ONLY.

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Joe Reid - Band Room, Music Studios, Newcastle University NE1 7RU. 1:40pm. Free. Reid (drums) Postgraduate Recital. ‘Progressive Drumming & Polyrhythms of the Modern Drummer’.

Evening

Jazz

Jam session - Black Swan Bar, Newcastle Arts Centre, 59 Westgate Rd., Newcastle NE1 7RU. Tel: 0191 222 9882. 8:00pm. Free. House trio: Giles Strong (guitar), Paul Grainger (double bass), Paul Wight (drums).

River City Jazzmen - Block & Tackle, Blackthorn Way, Ashington NE63 8NW. Tel: 01670 819845. 8:30pm. £4.00.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, November 04, 2010

Arnie Somogyi - Scenes in the City: The Music of Charles Mingus. Gateshead Old Town Hall

Karen Sharp (alt/bar), Alan Barnes (alt/ten), Jeremy Price (tmb), Mark Edwards (pno), Arnie Somogyi (bs), Clark Tracey (dms).
Let's get the negative things out of the way first.
When I go to a political rally (not that I've ever been to one!) I don't expect the speaker to tell me how to play the double bass. Likewise, when I go to a jazz concert I don't expect the double bass player to pass on his unrequested views on the world of politics which is what Arnie did tonight.
Having said that, I realise that if it had been an actual Charles Mingus concert the late, great, bassist would have expressed his views more volubly than Arnie! So maybe it was in the spirit of the evening.
Musically, this Jazz North East promotion was near faultless. The Mingus feel was there in the arrangements, the rich harmonic textures made you just want to wallow in the sound.
Karen Sharp, making her debut with the band, blew tremendous baritone getting round the instrument as if it was in-built with a sound as full as any baritone player this side of Harry Carney.
Alan Barnes - well what more is there to be said? He floats like a butterfly on alto and stings like a bee on tenor (good phrase must use it again). I've said it before. he is at home in any style.
I felt Alan got closest to the original some of his multi tongued phrases were Shafi Hadi in concept but Alan Barnes in execution.
Jeremy Price, wisely chose not to go down the Jimmy Knepper road. Instead he did his own thing and it worked.
Arnie had the most difficult role - that of the jazz world's greatest bass-player. He handled it well.
Clark Tracey, as ever, a driving force in any band.
Mark Edwards had some good chordal passages as well as more flamboyant moments in his solos.
An all Mingus program that mixed the familiar with the not so familiar but never coasted.
Lance.
PS: and a good turnout boosted by a party of South Koreans on a cultural visit to Gateshead!

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance