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Farewell Blues

R I P Terry Shannon - November 5, 1929 - October 29, 2022
R I P Oliver Soden - ? - November 6, 2022
R I P Top Cat Daphne - ? - November 24, 2022.

Bebop Spoken There

Michael League: "We flew back from Europe, and the second gig we [Snarky Puppy] did was in Arcata, California. There were two people. And one of them was the bartender." - (DownBeat December, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14806 (and counting) posts since we started blogging 14 years ago. 1074 of them this year alone and, so far, 73 this month (Nov.24).

From This Moment On ...

November

Sun 27: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 27: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm.
Sun 27: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 27: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 27: More Jam @ The Globe, Newcastle. 3:00pm. Free. Sitters-in & audience welcome.
Sun 27: Nu Civilisation Orchestra @ Fire Station, Sunderland. 7:30pm.
Sun 27: Jamil Sheriff's Five Gold Rings @ The Globe, Newcastle. 8:00pm.

Mon 28: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 28: Jeremy McMurray & Friends @ Billingham Catholic Club. 7:30pm. £5.00. at the door. A SVP fundraiser for Xmas food hampers.

Tue 29: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Alan Law, Paul Grainger, Rob Walker.

Wed 30: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 30: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 6:00pm.
Wed 30: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 30: 4B @ The Exchange, North Shields. 7:00pm.
Wed 30: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

December
Thu 01: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 01: New York Jazz Night feat. Zoë Gilby @ The Keys, Yarm. 7:00pm. £30.00. (inc. meal). Tickets from Skiddle. Gilby w. Noel Dennis, Mark Williams & Andy Champion.
Thu 01: Bold Big Band @ The Cluny, Newcastle. 8:00pm. Cluny 2.
Thu 01: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm. Paul Skerritt & James Harrison residency.
Thu 01: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 02: Swing Manouche @ Bishop Auckland Town Hall. 1:00pm. £7.00.
Fri 02: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 02: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 02: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 02: Durham University Big Band + Durham University Jazz Orchestra @ Kingsgate Bar, Durham Students' Union, Dunelm House, Durham. 7:00pm. £3.00. & £2.50. Fundraiser for Coppafeel.
Fri 02: Niffi Osiyemi Trio @ The Vault, Hexham. 7:30pm.
Fri 02: Alligator Gumbo @ Saltburn Community Hall. 7:30pm. Xmas party.
Fri 02: Struggle Buggy's Almost Xmas Party @ Prohibition Bar, Newcastle. 8:00pm. Free (donations). Blind Pig Blues Club.

Sat 03: Jake Leg Jug Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 03: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Liane Carroll. £25.00. Enrol at: www.jazz.coop.
Sat 03: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 6:00pm.
Sat 03: Remi Harris & Tom Moore @ Amble Parish Hall, Northumberland. 7:30pm.
Sat 03: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. Xmas party.
Sat 03: Ray Johnson, Richard Herdman & Jude Murphy @ Prohibition Bar, Newcastle. 8:00pm. Free (donations).

Tuesday, November 23, 2010

Bebop Spoken Here Interviews Darius Brubeck

Prior to their forthcoming concert - Brubecks Play Brubeck - at The Sage, Gateshead, I conducted a telephone interview with Darius Brubeck.
LL: Firstly, let me ask you about Dave - how is he?
DB: Dave's well, he played a concert two nights ago and he'll be playing The Blue Note on Thanksgiving, that's Thursday the 25th and (pause) you know he's actually amazing in what he still does.
LL: He must be just about the oldest, active, living jazzman.
DB: I hesitate to say that but if he's not the oldest he's certainly among them. One thing he doesn't do any more is tour internationally you know he won't ever be coming to Europe, to England again.
LL: He's always been much loved and well-respected up in this neck of the woods - North East England - is he a hard act to follow?
DB: Not to follow, I'd say he's a hard act to equal - there's a difference. No the name is a good platform for us, but it's the music that counts - it's the music that is a good platform for us. Like it's a tribute to him really as he turns 90 on December 6.
LL: How's the tour going so far?
DB: It's going very well. We opened in Liverpool on the 20th and then we did Edinburgh on the 21st, Manchester was last night then we drove all the way down to Croydon which is where we are now. We'll be playing there tonight (Tuesday). And so it goes. No really all of the concerts have been good I've been very heartened by the people showing up who really show an understanding of the music which is very welcoming and, as you might know as a Jazz Blogger, Ronnie Scott's was sold out. But that's London you know the whole risk is can we draw crowds away from the Metropole?
LL: I'm rather curious about your choice of Dave O'Higgins. The reason I say that is a tenor as opposed to an alto, British rather than American? Don't get me wrong, I think you've made a very good choice.
DB: Ok I'll tell you how that came about. it's really pretty simple. I was in South Africa for about 25 years teaching there and I first met Dave O'Higgins when he went on tour in South Africa and subsequently when I came up here I've played with him a few times and we've developed a really good relationship and also I wanted a British musician with his own following to add to it and he's a fantastic player. And that question leads up to something I want to put into the interviews and that is that this is the first time this group has been on tour. People might assume we've done it all around the world and everywhere but that's not the case. Brubecks plays Brubeck was put together for this occasion, this time of year, leading up to the birthday and Clint Eastwood produced a film that's going out and we're doing an all Brubeck program which we haven't done before so this is really a special occasion.
LL: Did Dave, your father that is, have any influence on what instruments you chose when you were kids?
DB: I think what it comes down to is it relates to birth order really. I was the first born, and therefore the first one to take up an instrument and naturally it was piano and Chris and Dan came along. Chris could play and does play piano a bit but we saw them rehearsing at home but, after a while, there was always a drum kit set up in the house and a bass under the piano it was pretty natural for us to turn into a rhythm section and then Chris took up trombone and he's a really great trombonist and he's written a couple of trombone concertos and he's done a lot of composing for orchestras so he has those sort of chops too.
LL: Your program on the tour - is it all tried and tested Brubeck stuff or do you have anything of your own in?
DB: We have two numbers of our own - we could do more but we recognise the obligation to play the hits that people want so they will get Blue Rondo, Take Five and they will get the things that they recognise.
LL: I also liked the earlier stuff - Jazz At Oberlin, even the Octet things.
DB: Well that's good. You know a lot of Jazz At Oberlin - most of those albums - were standards.
We thought about this and came to the conclusion that really the best thing would be to present Dave's own material but from every period so I've programmed Two-Part Contention for instance, like the Octet stuff it uses a lot of counterpoint, and we have The Duke and In Your Own Sweet Way and a couple of numbers from Jazz Impressions of Eurasia, Nomad and the Golden Horn. So we haven't restricted it just to the pops.
LL: Does Dave, your father, still keep a fatherly eye on your playing?
DB: When we visit sometimes we play a little two pianos. It's more that I keep a filial eye on his playing and listening to him practice and he has a great big studio adjacent to the bedroom where my wife and I usually stay in and sometimes I just lay on the bed and listen to some of the literally thousands of standards that he knows. Very occasionally we'll play some of his own stuff on two pianos because he has two grand pianos in his studio. Sometimes, it's not often, but sometimes he'll ask me to play some Bach for him and to talk about it or he'll take out some other classical music that he's interested in. Neither of us could play it at a performance level but he's interested in all kinds of music and it's very nice when those dialogues happen.
LL: I think we're running out of time I know I'm looking forward to hearing you play at The Sage, Gateshead.
DB: We've never played there. I've heard its a good venue.
LL: Yes it's really good - some say the best in Europe if not the world.
DB: Good to talk.
Lance.
Brubecks Play Brubeck. Tuesday Nov 30 The Sage, Gateshead. 7:30pm. £21.50.

1 comment :

Unknown said...

What a great interview Lance so knowledgeable.
Well done!!

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