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Bebop Spoken There

Georgia Cécile: "For me, whether it's an instrumentalist or a singer, they have to be telling a story." - (JazzWisee July 2020).

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11,635 (and counting) posts since we started blogging just over 12 years ago. 770 of them this year alone and, so far, 34 this month (July 9).

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As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Thursday, July 29, 2010

Maine Street Jazzmen @ Rosie's (Rosie Malone's, South Shields.) - Episode 65.

Olive Rudd (vcl), Herbie Hudson (tmb/hca/vcl), Jim McBriarty (clt), Malcolm Armstrong (pno), Alan Rudd (bs), Mike Humble (dms).
There are times - when Herbie blows harp - that these boys are just about as good a Blues Band as they are a Dixieland outfit. Such a time was on See See Rider when Herbie stretched his Hohner 270 to the limits. On the same number, he did similar things to his vocal chords backed up by Mr Barrel-house himself Malcolm Armstrong. Jim blew some gutsy clarinet but this was one number where he should have had his tenor sax in the back pocket.
Olive Shimmied like her Sister Kate and it wasn't wishful thinking. But Jeepers Creepers! She's Locked Her Heart and Threw Away the Key again. You've got the picture - another good day at the office.
Lance.

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