June
Wed 03: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 03: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 03: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Thu 04: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 04: Postmodern Jukebox @ Glasshouse, Gateshead. 7:30pm.
Thu 04: Webster’s Ragtime Trio @ The Witham, Barnard Castle. 7:30pm. £17.00. Trio from Texas, USA.
Thu 04: King Bees @ The Harbour View, Roker, Sunderland. 8:00pm. Free. Chicago blues excellence!
Thu 04: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 04: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.
Fri 05: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 05: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 05: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 05: FILM: Köln 75 @ Tyneside Cinema, Newcastle. 3:20pm. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne.
Fri 05: House of the Black Gardenia: Summer Tyne Swing Festival @ Northumbria University Students’ Union, Newcastle. 7:00pm. £130.00; £95.00; £70.00; £50.00. Note: all day dance event (classes & socials). House of the Black Gardenia evening performance. Day 1/3.
Fri 05: Strictly Smokin’ Big Band + IKS Big Band @ Gosforth Civic Theatre, Newcastle. 7:30pm (doors). £24.00. Big band double bill. IKS Big Band (Germany).
Fri 05: Jeremy McMurray’s Pocket Jazz Orchestra @ Saltburn Community Hall. 7:30pm. £15.00
Sat 06: FILM: Köln 75 @ Tyneside Cinema, Newcastle. 2:40pm. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne.
Sat 06: Struggle Buggy @ Billy Bootleggers, Ouseburn, Newcastle. 3:00pm. Free. Blues.
Sat 06: Teresa Watson Band @ Billy Bootleggers, Ouseburn, Newcastle. 6:00pm. Free. Blues.
Sat 06: Lindsay Hannon: Tom Waits for No Man @ Dry Water Arts, Amble. 7:00pm (6:30pm doors). £15.00.
Sat 06: IKS Big Band: Summer Tyne Swing Festival @ Northumbria University Students’ Union, Newcastle. 7:00pm. £130.00; £95.00; £70.00; £50.00. Note: all day dance event (classes & socials). IKS Big Band evening performance. Day 2/3.
Sat 06: Tyne Valley Big Band @ Northumbrian Revival, West Benridge Farm, nr. Morpeth NE61 3RZ. 7:30-9:30pm. £21.47 (£2.77. child). 82nd D-Day anniversary event.
Sat 06: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.
Sat 06: FILM: The Magic City: Birmingham According to Sun Ra @ The Burnlaw Centre, Hexham NE47 8HF. A weekend event in association with Star & Shadow Cinema. Film screening at 9:30pm. £28.02. Dir. Guillaume Maupin & Pablo Guarise.
Sun 07: FILM: Köln 75 @ Tyneside Cinema, Newcastle. 11:00am. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne.
Sun 07: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 07: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest Steve Walker (trumpet).
Sun 07: Joe Steels: Celebrating Wes @ Central Bar, Gateshead. 2:00pm. £10.00. Trio: Joe Steels, Mick Shoulder, Abbie Finn.
Sun 07: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 07: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 07: Eddie Gripper Trio @ Queen’s Hall, Hexham. 3:00pm. Gripper (piano); Clem Saynor (double bass); Patrick Barrett-Donlon (drums). Americana album tour.
Sun 07: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 07: Magpies of Swing: Summer Tyne Swing Festival @ Northumbria University Students’ Union, Newcastle. 4:00pm. £130.00; £95.00; £70.00; £50.00. Note: all day dance event (classes & socials). Magpies of Swing afternoon performance. Day 3/3.
Sun 07: FILM: Köln 75 @ Tyneside Cinema, Newcastle. 5:40pm. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne.
Sun 07: Webster’s Ragtime Trio @ The Ship Inn, Low Newton. 7:00pm. £12.50. Trio from Texas, USA.
Sun 07: Salty Dog @ Alnwick Playhouse. 7:00pm. £5.00. Performance in the Studio venue.
Sun 07: Ian Millar & Dominic Spencer @ Riding Mill Village Hall. 7:30pm. £12.00.
Sun 07: Swing Manouche @ The Globe, Newcastle. 8:00pm. Feat. Steve McGarvie (clarinet).
Mon 08: FILM: Köln 75 @ Tyneside Cinema, Newcastle. 11:50am. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne.
Mon 08: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 08: FILM: Köln 75 @ Tyneside Cinema, Newcastle. 5:15pm. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne.
Mon 08: Dave Bristow Quintet @ Cluny 2, Newcastle. 7:30pm (doors). £22.00., £11.00., £5.50. Bristow (piano); Christian Altehülshorst (trumpet); Félix Hardouin (alto sax); Gabriel Pierre (double bass); Guillaume Prévost (drums).
Tue 09: FILM: Köln 75 @ Tyneside Cinema, Newcastle. 3:00pm. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne.
Tue 09: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.
Tue 09: FILM: Köln 75 @ Tyneside Cinema, Newcastle. 8:10pm. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne.
7 comments :
This is one of those 'eyes (or in this case ears)of the beholder' situations.
The general consensus is that it applies to songs written post World War 1 to 1960 or perhaps the advent of Rock and Roll. However, this would eliminate composers such as Stephen Sondheim whose work certainly belongs there.
Also, I don't think the composers have to be exclusively birth Americans. Ray Noble was British and few would deny The Very Thought of You entry to its pages.
On a lighter note - if the Gasbook had been available from the library you'd have had to hire a Pickfords truck to get it home!
An interesting topic. A subjective thing I think. To me its a personal and perhaps idiomatic choice. Some more recent songs (by Dave Frishberg for one example) are Gasbook material but other songs (eg. LLoyd Webber) just don't seem to meet the rather vague, nebulous criteria - whatever these vague, nebulous criteria be.
Hmmm - this is no help whatever - is it?
Roly
I've thought a bit more about this.
I think it embodies all songs (generally with English/American lyrics) which have a reasonable level of popularity and which reasonable numbers of jazz musicians and jazz singers are (or have been) attracted to for performance material.
Roly
I think the GASBook should remain as defined for the sake of convenience. i.e. great songs, generally in English, of the jazz era 20's to 60's. There's so much subjectivity and hyperbole in music that having map references which mean something is a help, especially for strangers to the terrain.
I agree, with Lance that Sondheim's work is great, isn't it! with Ann's election of Randy Newman & Dylan and Roly's comments on Dave Frishberg, not to mention the great Tom Waits, but including them under a label from a different era is in my opinion folly. A bit like saying that the Vikings were really sophisticated enough to be included in the period of the Roman Occupation. I like the Vikings obviously but what did the Romans ever do for us?!
Tom Jobim wrote in Portuguese but surely he must be in the GASbook?!
This is the way I see it. The Great American Songbook is a term for describing a collection of songs written between 1920 and 1960ish that have become standard repertoire for jazz singers.
Contemporary jazz singers often include more modern material in their repertoire, notably Lennon/McCartney, Joni Mitchell, Dolly Parton, but these should not be considered part of The Great American Songbook. To do so would undermine its usefulness as a definition.
However, I think you could say that songs such as Yesterday, River or I Will Always Love You are becoming standards.
Roly's suggestion that 'nebulous criteria' define the Gasbook is a good one. Keep it as it is. It is a bit like the old line 'If you have to ask what jazz is...' We shouldn't admit any old song writer (and certainly no young ones!). George's observation about Jobim is well made. He's in there for me, after all Sinatra helped put him there!
Russell
I'm very pleased that the topic I started has given rise to a useful discussion. Thank you everyone. I've come to the conclusion that the GASbook is probably best defined as English and American songs of the period 1920-60. However that doesn't mean that Jazz singers always have to stick to GASbook material in their performances. And as Lance once said to me, GASbook songs have a certain universal quality and are often not identified with any particular singer, or even with their composer sometimes. As a sometime singer I think I'd draw the line at LLoyd Webber, mind!
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