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Bebop Spoken There

George Porter Jr.: ''To me, syncopation is like jazz. It wasn't meant for the masses. It was meant just for a hip few". (DownBeat, May 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18043 (and counting) posts since we started blogging 17 years ago. 364 of them this year alone and, so far, 42 this month (May 15).

From This Moment On ...

MAY 2025

Sat 17: Teresa Watson Band @ Billy Bootleggers, Ouseburn, Newcastle. 4:00pm. Free. Blues.
Sat 17: The Society Quartet @ Hilton Garden Inn, Sunderland. 6:00pm. Tel: 0191 500 9494. £26.00 (inc. two course meal). Line-up: Jason Holcomb, Hannah Taylor, Alix Shepherd & Abbie Finn.
Sat 17: Milne Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 17: Archie Brown & the Young Bucks @ Billy Bootleggers, Ouseburn, Newcastle. 7:00pm. Free. Rhythm & blues, Americana etc.
Sat 17: Bellavana @ Newcastle Arts Centre. 7:30-10:00pm. Free. A Late Shows event.
Sat 17: Rockin’ Turner Brothers @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Rockabilly, Western swing etc.
Sat 17: Ruth Lambert Trio @ Newcastle City Library. 9:00-10:00pm. Free. A 'Late Shows' event.

Sun 18: Jason Isaacs @ STACK, Seaburn. 12 noon-2:00pm. Free. Vocalist Isaacs working with backing tapes.
Sun 18: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 18: Ruth Lambert & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 18: Steve Summers Quintet @ The Globe, Newcastle. 8:00pm.

Mon 19: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 19: Lewis Watson Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 20: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood, Paul Grainger, Bailey Rudd.
Tue 20: Alexia Gardner Quintet @ Pleased to Meet You, Bridge St., Morpeth NE61 1ND. 8:00pm.

Wed 21: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 21: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public). b Wed 21: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 22: Nuevo Castillo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £5.00.
Thu 22: Anna Reay & Deon Krishnan @ STACK, Exchange Sq., Middlesbrough. 7:30-9:15pm. Free.
Thu 22: Pedal Point Trio @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Fri 23: Dean Stockdale Quartet @ The Gala, Durham. 1:00pm. ‘Celebrating Oscar’.
Fri 23: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 23: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 23: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 23: Anna Reay & Deon Krishnan @ St. James’ STACK, Newcastle. 4:00-6:00pm. Free.
Fri 23: Joe Steels Group @ The Pele, Corbridge. 7:00pm. £10.00. + £1.55. bf. A Northumberland Jazz Festival fringe event.
Fri 23: Spilt Milk @ STACK, Exchange Sq., Middlesbrough. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Fri 23: Gaz Hughes Quartet @ Traveller’s Rest, Darlington. 8:00pm.
Fri 23: Strictly Smokin’ Big Band @ The Witham, Barnard Castle. 8:00pm. £19.00.; £17.00. ‘Time After Time’.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, July 09, 2010

Whitley Bay International Jazz Festival Day One - Evening

Hot Antic Jazz Band (France)
Bohém Ragtime Jazz Band (Hungary)
Bent Persson's New York Orchestra (International)
Les Roi du Fox-Trot (pictured - France)
That this festival should be in its final year is really sad. 150 musicians from 10 countries is not bad going for an event held in a hotel on an industrial estate in Shiremoor. Add 500 plus punters from all over the world and the enormity of it begins to sink in.
The fact that many of the names meant little to me means nothing - if anything it added to the oft quoted 'Sound of Surprise'.
This was never more evident than the delights I found myself discovering in the Hungarian Bohém Ragtime Jazz band. This is a band comprising of 2 violinists one of whom, apart from being the leader, Tamas Ittzés, also sings and plays piano. Tamas sung and swung on piano and vocalised like Buddy Greco on Don't Get Around Much Any More. Trumpet player Lebanov József played with drive and technique whilst trombonist, Korb Atilla, had a lovely smooth Teagarden, Urbie Green sound - he was okay on flugel and cornet too!
Space precludes elaboration; suffice to say their versatility on different instruments, singing, dancing and comedy bordering on slapstick, made this the most entertaining set of the night.
Musically, what I most wanted to catch was Bent Persson's Red Allen Tribute. Well I did but, after dalliance, I was a latecomer and only just squeezed in behind an ever opening door.
Despite the brilliant resuscitation of the Allen/Luis Russell classics - and they were superb - I left Kelly's Stables for the more spatial Cotton Club. That's right all four jazz rooms are named after famous venues from days of yore - the others being the Sunset Café and the One-Cent Club.
In the Cotton Club Les Rois du Fox-Trot were strutting their stuff and drawing a few couples to the dance floor.
Another full house and another good band whose infectious pre-swing style soon had a hold of the listeners and the dancers.
Earlier, The Hot Antic Jazz Band had opened the evening session in Kelly's with an entertaining set that was full of Gallic charm. I loved the way they handled My Gal Sal - 3/4 introduction, rhapsodic verse then stomping chorus and idiomatic solos.
Too soon it was time for me to leave and fathom out my route home which I did - eventually!
Lance

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