Bebop Spoken There

David Bailey (photographer): ''When I was 16 I wanted to look like Chet Baker. He was my idol - him and James Dean.'' (Talking Pictures documentary : Four beats to the bar and no cheating April, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18429 (and counting) posts since we started blogging 18 years ago. 293 of them this year alone and, so far this month (April 13 ) 27,

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

April

Wed 15: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 15: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 15: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 16: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Jewish Musicians/Composers/Vocalists.
Thu 16: Sleep Suppressor + Silk Road + So Anne So @ The Globe, Newcastle. 7:00pm. £10.00., £8.00., £6.00.
Thu 16: Fourpenny Rabbits @ The Black Swan, Newcastle. 7:30pm. Free.

Fri 17: Russ Morgan Quartet @ The Lit & Phil, Newcastle. 1:00pm. £8.00. SOLD OUT!
Fri 17: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 17: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 17: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 17: Ben Crosland Quartet @ Sunderland Minster. 7:30pm. £12.96 (inc. bf) online; £15.00 on the door. Old Black Cat Jazz Club.

Sat 18: Bright Street Big Band @ Washington Arts Centre. 6:30pm. £12.00. Swing dance sessions + Bright Street Big Band 7:30-8:15pm & 8:45-9:30pm.
Sat 18: Glenn Miller & Big Band Spectacular @ The Phoenix Theatre, Blyth. 7:30pm. £27.00 (inc. bf).

Sun 19: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Trio + Lara Hopper.
Sun 19: Pete Tanton’s Chet Set @ Queen’s Hall, Hexham. 3:00pm. £12.00., £10.00.
Sun 19: Straight to Tape @ The Tyne Bar, Newcastle. 4:00pm. Free. Edd Carr, Jonathan Proud, John Hirst. Blues trio.
Sun 19: Graham Hardy’s Eclectic Quartet @ The Globe, Newcastle. 8:00pm. £12.00., £10.00., £7.00.

Mon 20: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 20: Dean Stockdale Trio @ The Black Bull, Blaydon. 8:00pm. £10.00. Stockdale, Mick Shoulder, Abbie Finn.

Tue 21: Vieux Carré Hot 4 @ The Victoria & Albert Inn, Seaton Delaval NE25 0AT. Tel: 0191 237 3697. Tickets: £14.00. ‘Pie & Pea Lunch’.
Tue 21: Neil Cowley Trio @ The Fire Station, Sunderland. 7:30pm. £29.00., £26.00., £23.00.
Tue 21: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels (guitar); Paul Grainger (double bass); Jack Littlewood (drums).

Sunday, July 11, 2010

Whitley Bay International Jazz Festival Day Two - Afternoon

Bohem Ragtime Jazz Band (Hungary)
Andy Schumm's Bixologists (USA/UK)
Keith Stephen's Hot Club Trio with Caroline Irwin (UK)
Keith Nichols & Martin Litton - Ragtime Piano Summit (UK)
Day two of the festival saw many a bleary eye (mine included) around noon at the Village Hotel. Nice weather once again, it was a bit of a shame to head indoors to hear the jazz in the Sunset Cafe. Hungarian outfit, the Bohem Ragtime Jazz Band, held court to another sizeable audience. Led by pianist/violinist Tamas Itzes the band moved effortlessly through a wide ranging repertoire including Jelly Roll Morton.
A swift exit was necessary to get to Kelly's Stables to catch Andy Schumm's Bixologists. American cornetist Schumm is a Bix devotee. He was in the company of his fellow Americans Josh Duffee and Paul Asaro. Drummer Duffee looks the part - slicked-back hair and all - and Asaro is a student of early jazz piano styles. On this gig they were joined by the UK's Norman Field (reeds) and Paul Munnery (trombone) together with guitarist/banjoist Jacob Ulberger. Andy Schumm's cornet, to my ears, sounded remarkably like his idol. Good to listen to, make sure you catch them next time.
Down at the One-Cent Club it was standing room only to hear the north east's superb Keith Stephen's Hot Club Trio with Caroline Irwin. Hot Club-style certainly but with many more strings to their bow (or should that be ukulele?). Guitarist, banjo player, ukulele man and occcasional, indeed I suspect reluctant, vocalist, Keith Stephen is a master of early jazz guitar styles. He is much in demand in other ensembles as is rhythm guitarist and vocalist Roly Veitch. Veitch in partnership with jovial double bassist Bruce Rollo supplied a cast-iron rhythmic foundation for Stephen to do his dazzling stuff (principally on guitar).
Enter Caroline Irwin. Petite, yet big on personality, she is quite captivating, performing all sorts - What a Wonderful World to Somewhere Over... FIRE! PLEASE LEAVE THE BUILDING. FIRE! PLEASE LEAVE THE BUILDING. The hotel's fire alarm system activated just as our Ukulele Girl was taking on Judy Garland. Undaunted, the band reassembled outside in the carpark and as the saying goes 'The Show Must Go On' and it did. An impromptu couple of numbers including Stupid Cupid was met with roars of approval. Worryingly there was no sign of the fire brigade. Fortunately it was a false alarm.
We returned to the One-Cent and took up where we left off...Somewhere Over the Rainbow - fantastic! Not exactly jazz? Who cares? This was great stuff. Hear them next time they play anywhere near you and you won't be disappointed.
Staying on in the One-Cent the closing performance of the afternoon was a Ragtime Piano Summit meeting of the great Keith Nichols and the equally great Martin Litton. This was a most entertaining history of ragtime piano. Nichols and Litton are top class exponents of the form, taking time to place composer and tune in context and their playing, from Twelfth Street Rag to Maple Leaf Rag, was that of virtuosi. This was an afternoon of varied, top class jazz. More to come.
Russell.

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