Bebop Spoken There

Joe Alterman: ''All I wanted to do growing up was to sound like Erroll Garner playing "Poor Butterfly." I thought that was the coolest sound I'd ever heard.'' (DownBeat November, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

19,066 (and counting) posts since we started blogging 18 years ago. 930 of them this year alone and, so far this month (Oct. 31) 109.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

November

Sat 07: Mike Durham’s International Classic Jazz Party @ Village Hotel, West Allotment. 12 noon. Day 2/3.
Sat 07: Ewan Bleach’s Cable Street Ragtime Band @ St Augustine’s Parish Centre, Darlington.
12:30pm. £10.00. Darlington New Orleans Jazz Club. Superb band.
Sat 07: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. Find Your Pocket: Funk & Groove. Enrol at: learning@jazz.coop.
Sat 07: Red Kites Jazz @ Costa Café, St James’ Retail Park, Newcastle. 2:00pm. Free.
Sat 07: Ray Stubbs’ R&B All Stars @ Billy Bootleggers, Newcastle. 6:00pm.

Sun 08: Mike Durham’s International Classic Jazz Party @ Village Hotel, West Allotment. 12 noon. Day 3/3.
Sun 08: Greg Abate w. Dean Stockdale Trio @ Queen’s Hall, Hexham. 3:00pm.
Sun 08: Kaberry Big Band @ Forest Hall Social Club. 3:00pm. £7.00 (inc. tea & cake). Charity event for the Poppy Appeal.
Sun 08: Greg Abate w. Dean Stockdale Trio @ The Globe, Newcastle. 8:00pm.

Mon 09: Bechet-Spanier Quartet @ Yamaha Music School, Blyth. 1:00pm. £9.00.; £5.00. Muggsy Spanier was born 125 years ago today (9 November 1901). This afternoon’s all-star quartet - from London, Lewis Taylor (cornet) & Michael McQuaid (reeds), from Paris, Félix Hunot (guitar), from London, Harry Evans (string bass) - salutes Muggsy!
Mon 09: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 09: Bechet-Spanier Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00. Muggsy Spanier was born 125 years ago today (9 November 1901). This evening’s all-star quartet - from London, Lewis Taylor (cornet), from London, Michael McQuaid (reeds), from Paris, Félix Hunot (guitar), from London, Harry Evans (string bass) - salutes Muggsy!

Tue 10: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Becky Tuck (vocals).
Tue 10: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 11: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 11: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 11: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 11: Plague Doctors Cure All + Noonward @ Central Bar, Gateshead. 8:00pm. JNE.

Thu 12: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 12: JANE @ Brunswick Methodist Church, Newcastle. 2:00pm. £5.00.
Thu 12: MoonMot + Jack Banjo’s Snackwall @ Cobalt Studios, Newcastle. 7:00pm.
Thu 12: Ratio: Swingin’ Through the Decades @ The Forum, Darlington. 8:00pm (7:30pm doors). £10.00. A charity fundraiser.
Thu 12: Look Left @ Pilgrim, Newcastle. 7:30pm (doors). £8.00.
Thu 12: Michael Woods @ The Black Swan, Newcastle. 7:30pm. Free (donations). Acoustic blues.

Fri 13: Giles Strong Quartet @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Giles Strong (guitar); Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 13: Lapwing Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00. Richard Herdman, Jude Murphy, Paula Whitty.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Northern Monkey Brass Band @ Hexham Lantern Parade, Bandstand, Sele, Hexham. 6:00pm. Free.
Fri 13: Sharp Collective @ Dry Water Arts, Amble. 7:00pm.
Fri 13: East Coast Swing Band @ The Exchange, North Shields. 7:30pm.
Fri 13: Guisborough Big Band @ Saltburn Golf Club. 7:30pm. Tickets: £15.00 (inc. pie & peas

Monday, March 15, 2010

The Death Knell for Traditional Jazz Part 2 - Alan Rudd.

Unfortunately, as Brian correctly points out, despite the apparent abundance of local jazz gigs, the local trad/dixieland scene has for a long time suffered a steady decline in the numbers of musicians drawn to this type of jazz. As a result the average age of a typical local jazz band is usually quite high and, without an influx of new personnel or a revival period, it is almost inevitable that the scene will fade out eventually.
You only have to compare the queues of young people waiting to audition for x factor, to the numbers of young people queuing to get into your local jazz gig to realise the scale of the problem.
I honestly don't know if there is a viable solution. However, I would suggest the situation could be seen as an opportunity for some one to look at the possibly of school gigs (maybe as a presentation with some actual live performance) rather than just working the normal pubs/clubs/jazz clubs scene.
Link to original article by Brian Bennett.
Alan Rudd.
at

1 comment :

Lance said...

It is interesting that you should mention schools Alan.
Jazz in education - as in music colleges - is reasonably profiled but I would hazard a guess that its spectrum is rather narrow.
Big bands, post bop, jazz-rock I think probably covers it with little regard for what went before.
The early local traditionalists learned there craft in the back rooms of pubs and clubs. Many went on to embrace modern jazz - Johnny Dankworth, Dickie Hawdon, Keith Christie to name but three.
The moderns themselves usually began in dance bands where often they would play Syd Phillips' dixieland charts which served to give them a foot in both camps.
Today however, the young musician who has opted out of the overcrowded guitar class and decided on a wind instrument needs to know his options. If he's a clarinet player it's either classical or buy a tenor and play jazz (or jazz/rock) as identified by the music school's curriculum.
I'd be interested to hear from those involved in music education.

Tuesday, March 16, 2010 9:31:00 pm

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