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Bebop Spoken There

Piers Paul Read: "Bruce Reynolds and Biggs shared an interest in Sex, Jazz and Hemingway." - (The Train Robbers by Piers Paul Read, Coronet Books 1979.)

George Shearing: "Speaking about Johann Sebastian Bach I think he'd be a real jazzer if he were alive today. I mean any man who has two wives, twenty kids, gets kicked out of the church for being too harmonically radical and drinks beer can't be all wrong can he?" - (Crescendo March 1984.)

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

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Apologies for any inconvenience, this is due to circumstances beyond my control.

Today Thursday July 19

Afternoon

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 266 6173. 1:00pm. Free.

Evening

Maine St. Jazzmen - Sunniside Social Club, Holywell Lane, Sunniside, Gateshead NE16 5NJ. 8:30pm. Free.

Alexys de Alfaro: Guitar Dreams with Coco Vega - Prohibition Bar, Arch 3, Brandling Street, Gateshead NE8 2BA. Doors 7:00pm. A ‘jar on the bar’ gig. Guitar & percussion.

Alter Ego - St James’ & St Basil’s Church, Fenham Hall Drive, Newcastle NE4 9EJ. 7:30pm. £10.00.

Jesse Bannister Quartet - Jazz Café, Pink Lane, Newcastle NE1 5DW. Tel: 0191 222 9882. 8:00pm. £10.00. (£8.00. concs.). JNE.

Northern Monkey Brass Band - Jubilee Park, Spennymoor DL16. 6:00-9:00pm. Free. Big BRASS Bash (Durham Brass Festival).

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm.

Tees Hot Club w. Donna Hewitt (alto); Josh Bentham (tenor); Dave Archbaid (keys) - Dormans Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9pm. Free.

Jazz Jam - Fire Station, High Street West, Sunderland SR1 3DT. Tel: 0191 594 7241. 8pm. Free.

Billy's Buskers: Plug in and Play - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 7:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, June 21, 2017

Mahler, Schoenberg and Finzi by Durham University Orchestral Society @ Durham Cathedral, June 17

(Review by Steve T)
To misquote a famous John, 'before Schoenberg there was nothing'. Just like before Elvis there were men, they just didn't have moving legs, there was music before Schoenberg, it was just the nice, pretty, fluffy type aimed at posh, rich men to conduct along to.
Schoenberg is the composer most associated with atonality, who deliberately set out to make difficult music to challenge the listener, which didn't comply with rules laid down by Bach and Handel and the moon and stars before them. Like the best Jazz, and his peers and followers were influenced by Jazz artists who were in turn influenced by them.
Robert Wyatt, original drummer with prog/jazz/rock band Soft Machine drew a line from Schoenberg, through Cecil Taylor to punk rock so he must have missed the point of Schoenberg and Free Jazz. I know he didn't miss the point of punk rock because there wasn't one; while they were perhaps too clever for their own good, punk rock just wasn't clever at all.  

Part one was the Chamber Orchestra which began with a short, pointless piece by British composer Finzi called Romance. This was followed by Schoenberg’s Chamber Symphony no 2 which was written before his conversion but the second movement was significantly re-written after it, so it offered a contrast between early Schoenberg and the later crazy stuff, though, to these untrained ears, it was all pretty crazy.
Part two was the main event with the Symphony Orchestra playing Mahler’s Symphony no 1. Ironically, or maybe not, Mahler is thought to be the first composer to experiment in atonality, but died the following year.
Less cynically and more seriously, much pre C20th tonal classical music is difficult to contemporary ears trained to expect a verse and a chorus, and this was no exception, though long passages were interspersed with moments of real beauty and nothing quite sounds like massed violins, the juxtaposition of  plaissure and jouissance proving irresistible,  and Stravinsky, Miles with Gil, and Zappa were masters of this. 
It sounds idyllic: a lovely evening cooling down after the hottest day of the year so far, a building some consider the finest on planet earth, my loudest, brightest shirt and some of the poshest, cleverest, richest, most successful, most promising and most pretentious people anywhere. In real time, once you've admired the splendid building, watched the few fiddlers elbows you can actually see, it gets boring and, while I'd have stayed, I'm more used to this type of stuff than my way better half and we'd agreed five minutes of Mahler, so the opening movement and five minutes of the second seemed fair enough. 

Steve T.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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