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Bebop Spoken There

Piers Paul Read: "Bruce Reynolds and Biggs shared an interest in Sex, Jazz and Hemingway." - (The Train Robbers by Piers Paul Read, Coronet Books 1979.)

George Shearing: "Speaking about Johann Sebastian Bach I think he'd be a real jazzer if he were alive today. I mean any man who has two wives, twenty kids, gets kicked out of the church for being too harmonically radical and drinks beer can't be all wrong can he?" - (Crescendo March 1984.)

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

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Today Tuesday July 17

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free.

Evening

Northern Monkey Brass Band - Glenholme Park, New Road, Crook DL15 8LN. 6:00-9:00pm. Free. Big BRASS Bash (Durham Brass Festival).

Jam session - Jazz Café, Pink Lane, Newcastle NE1 5DW. Tel: 0191 222 9882. 8:00pm. Free. House trio: Steve Glendinning, Paul Grainger, Rob Walker.

Francis Tulip Quartet - Fox Inn, West End Terrace, Hexham NE46 3DB. Tel: 01434 603681. 8:30pm. Free (donations).

Reel Brass + Shake ‘Em Up Brass Band - Lanchester, Co. Durham DH7. 6:00-9:00pm. Free. Town centre street performance. Durham Brass Festival (Street Ceilidh).

Hokum Hotshots - Royal Northumberland Yacht Club, South Harbour, Blyth NE24 3PB. 7:00pm. £10.00.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, June 22, 2017

Durham University Big Band @ The Jazz Café - June 21

(Review by Russell/Photos courtesy of Mike Tilley)
University bands are by their very nature in a constant state of flux. Students graduate, moving on to who knows what? The standard varies from one academic year to the next. Durham University Big Band has achieved the seemingly impossible in maintaining the highest of standards over two or three years, perhaps longer. The current edition of DUBB is an exceptionally talented ensemble and this Newcastle Jazz Café gig would be the last time they would perform together in public.
The summer solstice, another balmy evening on Tyneside, the Jazz Café’s front door and windows open, tempting the passer-by. Beer and cake on the ground floor, beer and big band jazz upstairs. Fifteen musicians in the first-floor room don’t leave much room for an audience, but hey, hearing a powerful big band at a distance of half a metre is a thrilling, visceral experience. The Durham band (DUBB) is an award-winning one. Regular gigs, studio recordings, and workshops with some of the best jazz musicians on the scene (most recently with Callum Au), DUBB take the music seriously, adopt a professional approach and clearly enjoy what they do.
This mid-summer gig heard DUBB in fine form. In fact, have they ever played better? Basie’s arrangement of All of Me for starters. If anyone thought this was going to be a straight-ahead set they were in for a rude awakening! Neal Hefti’s I Won’t Dance introduced vocalist Katie Moberly, the swing thing intact. Barcarolle signalled a change. Composer Scott Chapman performed in the very same small space with trombonist Tom Green and will return next month with Misha Mullov-Abbado. Clearly, DUBB like to play charts by a range of contemporary composers broadly of their generation. Trumpeter Alex Flanders developed the baroque feel, tenor man Matt McKernan weighed in with the first of several accomplished solo contributions, the ensemble work exemplary.
An indication of a good big band is whatever the material, the conviction is there, soloists assured, the ensemble likewise. It’s Oh, So Nice was to the liking of a voluble member of the audience, less so compositions by Jacob Mann (a current favourite of the Strictly Smokin’ Big Band) and Finland’s Outi Tarkiainen – our curmudgeon’s loss. Mann’s Pete Wheeler, Gerard Presencer’s arrangement of Eleanor Rigby and Pat Metheny’s See the World were at the contemporary end of the scale with award-winning guitarist Ollie Farley and lead altoist Zach Fox playing soprano to the fore. Matthew Jacobs, the band’s long-serving pianist, kept the show moving and ensured the first set drew to an explosive close with Fox blowing alto for all he was worth on Caravan, topped and tailed by Tristan Bacon and Ben Bucknall’s truly outstanding percussion work. Our Curmudgeon took to his feet…to applaud.

The band, and audience, took five. A mass migration to the downstairs bar and street to draw in air and in a trice we were back in big band paradise. Radiohead’s 15 Step featured more mature tenor by McKernan, sparking a run of contemporary pieces -  Tarkiainen’s Oglütz featuring vocalist Katie Moberly (think Norma Winstone working on a Kenny Wheeler chart) and McKernan’s tenor, Mann’s  Bounce House (the ensemble in the groove) and J Dilla’s killing Fall in Love once again featuring a superb vocal by Moberly. Our curmudgeon implored: Go back to the swing stuff! Without missing a beat pianist Jacobs replied: You’re in luck mate. Cue Bill Holman’s arrangement of Ol’ Man River. Tremendous, roaring big band playing – who could ask for anything more? Robert Glasper’s Let it Ride is what we got, and the band finished on a high with Eric Burger’s arrangement of Love For Sale (as played by the Buddy Rich Orchestra, as stated on the printed sheet music). A blistering finale, the final few notes of a superb university big band – Durham University Big Band. It is rare for a Newcastle audience to take to its feet. The room, as one, did just that to show its appreciation.
Russell.           
Durham University Big Band: Zach Fox (alto saxophone), Dan Garel (alto & tenor saxophones), Matthew McKernan (tenor saxophone), Felicity Evans (baritone saxophone); Alex Flanders (trumpet & flugelhorn), Noah Lawrence (trumpet), Louis Clayden (trumpet); Patrick Morris (trombone), Joshua Harper (trombone), Theo Crouch (trombone); Ollie Farley (guitar); Dylan Purches (bass guitar); Tristan Bacon (drums); Ben Bucknall (percussion); Katie Moberly (voice) 

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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